
Reverse: 1999 story · Event stories
The Temporal Scale
22 scenes, 2,694 lines
1. "Fin-de-Siècle"
142 lines*ring*
H-Hello?
Hannah? Good, you're still home. Where are Mama and Papa?
They're here, with me. Something's wrong, Ida.
Strange things keep happening, one after another. People aren't acting like themselves. And the rain ...
Hannah, listen to me. Lock yourselves in. Do not leave the house. And whatever you do, don't touch the rain.
You know something, don't you? That Foundation you work for—what did they say? Is the world ...
... going to end tonight?
The world didn't end that night. It only rained.
But almost everyone on Earth dissolved in it. None of my family survived.
Time rewound to 1996. It doesn't sound that far back, but it changed everything.
"Foundation Headquarters collapsed. Our systems are paralyzed."
"It is with deep regret that we confirm Laplace has lost its director. Monitoring will continue."
"Manus Vindictae will not stop at this. Every necessary measure will be taken."
"Based on available data, we believe this temporal anomaly to be persistent and irreversible."
On the 31st of December, 1999, our lives were changed forever.
Recorded anomalies include mass illusions and inverted rainfall, subsequently leading to spatial and temporal reversion. At present, no viable method has been identified to restore our previous time-space continuity.
For brevity and clarity, this phenomenon will hereinafter be referred to as the "Temporal Anomaly."
Preliminary data suggests Manus Vindictae may be involved, although their methods remain unknown.
However, this meeting is not concerned with their intentions or their methods.
Our focus will be on the LSCC's current progress in mitigating the anomaly and preventing a second occurrence.
Her cold, mechanical voice reverberates around the room.
The young staff members begin whispering among themselves.
That woman on stage—Madam Lucy. You ever heard of her before?
Yeah, a little. She was the head of Laplace Third Branch in New York before they transferred her back to headquarters and made her the lead of the Temporal Anomaly investigation. I heard their new director's drowning in problems—probably why they put her on stage instead.
Ah, so she's one of those. Guess Laplace has gone the same way as us. Whoever survives gets the promotion.
At least they found someone to fill the role. They've got some departments that were completely wiped out.
That's enough, Finn.
She doesn't look up as she speaks, her pen still gliding across the paper.
This is a serious occasion. Every piece of information could be crucial. I want your full attention.
Crucial how? Does any of this even matter—
When this rain could just come again and wipe us all out?
Listen first. Whine later.
Alright.
He shrugs and turns his attention back to the speech.
Based on Admiral Igor's report from the front and the Kirlian images we have gathered ...
We speculate that there are additional locations immune to the anomaly's effects.
...
Immune to the anomaly?
It is currently unclear whether the Temporal Anomaly always results in time reversal. Until we have a more comprehensive understanding of the sites in question, they will be collectively referred to as "Points Irreversible."
Our utmost priority must now be to establish common ground for future collaboration and operations.
So, I will put aside the mathematical deductions and proceed to our conclusion.
She flips to the next slide.
It's a map of the world scattered with several haloed blue lights.
In summary, our results have identified the following points marked here by blue lights.
Each one is analyzed to be potentially protected against the recent anomaly.
So, they're safe zones? Then, that means ...
They can't help but discuss the implications.
The lights are soothing, as if they were meant to wake the attendees from a lengthy nightmare.
We can relocate our data center, biobank, and armaments to these places. We'd be able to preserve our critical assets.
This is about more than just storage sites.
A woman rises from her seat. The movement lacks any kind of dramatic flair, but the room falls silent nonetheless.
Pardon the interruption. Before we proceed further, I'd like to bring another possibility to the table.
My name is Kenna. I'm a recent transfer to the Engineering Department at headquarters. I was previously at our Glasgow office.
I have been acting as the primary point of contact between Laplace and the Engineering Department as we study the feasibility of mitigating and preventing further instances of this Temporal Anomaly.
With her introduction out of the way, she nods at Lucy and gets straight to the point.
Madam Lucy and I agree. Our primary concern is not the cause of the anomaly but what measures we can take to withstand or stop it.
If these Points Irreversible prove reliable, they could offer more than just a safe zone for a Foundation database or arsenal.
They could become something more permanent. An office, say, or even a full branch site.
The word "branch" immediately incites debate among the staff members.
Sounds nice, sure, but isn't it too soon to start talking about branching out? Headquarters is still all kinds of lopsided.
It would be a significant step forward.
Kenna scans the room as she waits for the discussion to calm down, then continues.
It is only a possibility for now, but one we're pursuing seriously. The establishment of a new office is top of our agenda, with Mr. Irinei as its chief director. I will be working alongside him from this day forward.
The Engineering Department will provide a comprehensive plan, from field exploration and site selection to a full safety evaluation.
...
Irinei, seated at the center of the conference room, gives a nod.
As we speak, our team is assessing all potential factors that could impact this project. In the meantime, we will continue to deploy field agents to investigate the areas in question.
That is correct.
After much deliberation, and with the approval of the president, the first location we've selected for investigation is—
Nowa Miedź, our best candidate for a Point Irreversible in Eastern Europe.
Everyone's eyes lock onto the sole red dot on the map.
Nowa Miedź ...
The dot is located to the right of the continent's center.
It pulses like a lonesome little heart.
A small city, known for its factories, canals, and vodka.
She turns her eyes from the thick packet of documents in her hands to the junior staff members by the wall.
Ms. Bkornblume is currently operating in the area and has already made progress. As per her request, we are planning to assign a small team of architectural specialists to join her in the field.
So that's why we're here.
Sorry, ma'am, could you clarify the role architecture is playing in this investigation?
It may sound a bit far-fetched, but according to Ms. Bkornblume—
She pauses.
The immunity zone in Nowa Miedź appears to have a close connection with a particular building.
A building?
Correct. Unfortunately, no credible records of its construction date or architect remain, and what little information we have left in the headquarters' archive hasn't given us anything of use.
Furthermore, Ms. Bkornblume has reported multiple irregularities within the structure itself.
We believe these irregularities may be tied to the building's immunity.
Grundriss.
With the meeting concluded, Irinei finds his subordinate.
Mr. Irinei.
You don't look too pleased about your assignment.
That building in Nowa Miedź?
With respect, no.
She cuts to the chase.
The prevailing theory in the office is that the Temporal Anomaly wasn't just a bizarre act of nature. It was the work of Manus Vindictae.
If that's true, then we're looking in the wrong direction. The anomaly isn't the priority. Its creator is.
What we need are countermeasures, intelligence, weapons, not architects and land surveyors.
We could search every inch of the world and find a hundred safe zones or more, but it'll mean nothing if no one stops Manus Vindictae from coming after us.
In that we're agreed.
But Kenna sees things differently. As she put it, "It's not about the building itself. It's about what it could mean for us."
She believes we must preserve and bolster what we have left. To her, that means securing these Points Irreversible, gathering intelligence, and even establishing more observatories and regional branches.
I do see her reasoning. But I'm also worried we might not last long enough to even set those facilities up.
We've seen what this storm can do—three years gone in a moment. Who knows what could happen if it strikes again?
What good is gathering intelligence from the world as it is now if we're all going to be wiped out again?
Neither one of them says anything further.
The halls are far quieter than they used to be, with only the occasional staffer flitting through them like a ghost.
Pardon the negativity, sir. I'm frustrated. We all are. We've lost friends, family, our entire lives to this anomaly.
But, grumble as I might, I will do my job.
I never doubted you. Look on the bright side. You'll be partnering with Cornerstone. You've worked together before, if I recall.
Nowa Miedź is her hometown. Perhaps she'll make the place feel a little less strange for you.
Cornerstone ...
The corner of her lip twitches.
I need not remind you, sir. Our last collaboration ended in a quite public argument over the facade material for the London branch. You were there.
But then you've also delivered many successful projects together, haven't you?
That's all just part of the job.
Of course, sir.
You aren't expected to figure this all out yourself.
If there's one thing our teams are aligned on, it's that we need information.
This investigation could be the first step toward forming concrete plans, for the next anomaly, or even to strike back at Manus Vindictae.
That said, we have our own agendas. You are answerable only to me, not her.
You've been assigned as Cornerstone's assistant, yes, but in title only.
He pauses. The meaning behind his words is already self-evident.
Understood.
Before you go, there's something I'd prefer not to say in front of the others.
You heard what Kenna said about those "irregularities."
I did. But what kind of irregularities? What risk level are we dealing with? Could they pose a threat?
Here. This is Ms. Bkornblume's latest report. It's best to find your answers there.
Grundriss accepts the papers.
Appreciated, sir. In all the years I've known her, Bkornblume has never steered me wrong.
She flips through the pages, all detailed records of the Nowa Miedź residents' daily lives.
Ah, found it. "Irregularities Overview."
Missing persons ...
Reports of unusual sounds ... puppets ...
And a ghost-like female figure?
...
A slight frown crosses her face as she tucks the report away.
I'm afraid I'll need more than witness accounts and hearsay to properly prepare, sir.
Bkornblume will brief you in detail when you arrive.
He gives Grundriss an encouraging pat on the shoulder.
It's time. Go to this Point Irreversible, evaluate it for construction, and report back to me.
Stick to the job. No getting involved in unnecessary trouble.
You've always had a good head on your shoulders. I trust you'll follow it for this task, too.
2. Eastward
130 linesThe plan was to meet Cornerstone at this station so you could give us both the route to the building.
But, of course, someone didn't show. Shall we go ahead without her?
Certainly. Now, if you head north on Górnicza Street and turn east ...
Dust drifts through the single ray of sunlight that's made its way into the room.
Only the rhythmic click-clacking of the telegraph machine on the table interrupts her brief pause.
Uh, first, you are able to use cardinal directions, are you not? Not to imply any negative assumptions. It's just easier if I can direct you that way.
My apologies. Reception is unstable here. I suspect due to the building's structure—
Hello? Grundriss? Can you hear me?
...
Unfortunately, the only reply she receives is static.
Oh! That's not good.
Bkornblume?
The call has been cut short. Grundriss glares at her communicator and gives it a shake.
Yet it remains silent.
Well then.
And, of course, the file didn't include exact coordinates. I can't just be expected to wander the streets blindly.
Looks like I'll have to rely on Cornerstone, assuming she knows the way. Did anyone even check in on her? She's probably collapsed in some office in Brussels after working herself to the bone again.
She stares ahead for a moment, then takes out her trusty notebook and pen.
18. April 1996.
Cloudy.
Day three in Nowa Miedź.
The river, the roads, the fog ... Maybe it's only a reflection of my mood, but this whole place seems grim.
And I'm about to head to a presumably equally grim building to meet Bkornblume.
*exhale*
There's a man sprawled out across the train station's lone intact bench. A bottle rolls over from his direction.
I think this is your drink, sir.
Thanks.
He takes a swig.
Grundriss can't help but note how young he looks.
You know it is nine in the morning, right?
Just a tad early for alcohol.
Nine? Already?
Nine in the morning, nine at night—what's the difference? As long as there's Żubrówka and a ballroom or two open.
...
Nine in the morning. Right, time to go home.
He stands and stretches, as if bidding farewell to his night, or perhaps even day, of drinking.
Behind him stand rows of abandoned buildings, their pillars and frames exposed like the skeletons of some great rotting beasts.
Bottle of booze in hand, the man stumbles away.
Eventually, his silhouette disappears beyond the horizon.
Yet another charming addition to this city.
Huh?
It's begun to rain.
The pavement darkens in growing patches as it falls.
Drizzling. Just like that day. Or at least, that's what I thought.
Ida ...
Is the world ... going to end tonight?
Her voice sounds so distant amid the rainfall.
It's only been a few short months, yet Grundriss already finds herself struggling to picture her face.
Hannah ...
Another familiar voice reaches her ears.
Hmm? Wait. Is that ...?
White blocks unfold to form a dome above her head, shielding her from the drizzle.
Cornerstone?
It's been a while, Grundriss.
Don't stand in the rain. You'll catch—
Ah—Achoo! A cold.
Haha. The Materials Department have outdone themselves with this defective shipment. Reliably unreliable as ever.
...
Insufficient surface tension, poor choice of connection points, the vaguest idea of a drainage slope rather than anything useful ...
A ruthless evaluation. Cornerstone would expect no less.
Mmm. I agree with every word you said. You know how fiberglass is. We have to work within its limitations.
I just didn't expect it to fail quite so quickly.
I was almost worried you'd changed, Ms. Cornerstone.
But frankly, it's elegant, like a stork on the wing.
Cornerstone winks.
Her right hand traces an arc in the air, and the white blocks withdraw.
Good to know you still remember the way.
At the very least, I used to know. I've been there before, but it was a long time ago.
One of those notorious "haunted" spots—I'm sure you grew up with them too. We played hide-and-seek there when we were little. Scared ourselves for fun.
I haven't been able to reach Ms. Bkornblume. But lucky for us, I brought my own map.
Cornerstone opens her suitcase and pulls out a handful of blueprints, a damaged drawing board, a compass ... and a twig.
You always manage to pack half your life into that suitcase, don't you?
A series of chaotic lines and shapes come together to form an abstract something-or-other.
Ah, ignore the scribble on the side. Sorry, it was a spur-of-the-moment idea.
Just try focusing on the blue lines.
At some point in the process, she conjures a white pedestal. She sits on it, sipping a cup of piping-hot coffee.
What are you doing?
It's just coffee, though it might as well be my blood for as much as I drink.
I'm sure you already know that, before this, I was heading up the renovations to the Foundation's headquarters. They're planning to relocate the Committee Building to a cleaner area.
I haven't slept in 48 hours, or at least, it feels that way.
Even through the caffeine, a hollowness seeps into her voice.
Tragic. I don't imagine the Foundation will be cutting you any slack now that you're the only architect left.
Your life isn't exactly a walk in the park either, being the only supervising engineer about. I suppose that makes us quite the team, don't you think?
That's one way to put it.
Where did you even find that coffee?
There's a cafe along the way, run by a local woman and her three lovely girls. They have a dog named Leika. We bonded quickly.
So that's what those doodles were about.
Hahaha. Well, I couldn't just pass the place by, now could I? I mean it. If someone ran my blood right now, it'd be twenty percent cappuccino, thirty percent Americano, and the rest cold brew.
Grundriss can certainly believe that, given the darkness under her eyes.
...
It'll be the end of you one day, just like you'll be the end of me.
She lets out a sigh and turns her attention back to the scrawl Cornerstone has chosen to call a "map."
Lines, stains, and colors meld together, overlapping and then dissociating from one another.
Finally, a clear route reveals itself.
Lovely route illustration, by the way.
You always manage to rekindle the last vestiges of my faith just before I give up on you entirely.
It's to the northeast of the old factory district. As for the exact location ...
She turns herself northeast, one of her pupils warping with shifting patterns to give her a better look.
Amid the fog, the old city lets out a labored breath, and the wind cuts through cracked stone walls.
The cityscape—run-down buildings, shops, and residences alike—gives way to black and white lines.
Her gaze flows through them. A shear wall here, a floor slab there ...
Until—
...!
There's a structure I can't see through. That has to be it.
Perfect timing! Just finished my last sip.
With the last of her coffee flowing through her veins, Cornerstone's eyes light up.
She leaps to her feet.
Hah. I'm thoroughly recharged and ready for a walk! Northeast, you said?
I believe so.
I studied the map beforehand. So, I've got a general sense of where we're headed.
Fantastic. You may already know the place better than I do.
I moved overseas with my family when I was eight. My knowledge of things here after that is ...
Limited, at best.
Against the backdrop of gray, her fashionable brown and yellow coat, suitcase, and fine leather boots make her look ...
... quite out of place.
That explains the accent. Is there anyone you still—
She stops before the rest of her sentence can spill out.
Ah, I don't mind the question. I checked Ms. Bkornblume's list of survivors. I didn't recognize any of them.
It seems as though all the people I once knew here are gone, or "temporarily out of contact," if we prefer to be optimistic.
I'm sorry.
Hey, don't. It's not your fault.
We all know who's responsible, and they'll answer for it. Right?
Cornerstone stretches, picks up her suitcase, and takes a few steps forward.
Her silhouette somehow manages to both mirror and contrast with that of the drunkard earlier.
Good, enough heavy talk. Let's get moving, partner.
If you're interested, I can tell you a few childhood stories on the way.
3. Sound of Silence
121 linesThe two keep a bit of distance as they walk, one staying behind the other.
I think the building is just up ahead.
Do you remember what it looked like?
An unexpected answer.
Silence? In what way?
I couldn't say exactly. That's just the closest to the feeling that I can get. There was a song, though.
What kind of song? Do you remember the lyrics?
...
Cornerstone stares at Grundriss, her lips parted for a long while. But no words come out.
Sorry, it was too long ago.
I only remember it the way I remember this city. Blurred childhood impressions, light and shadow. Nothing solid.
The streets feel familiar, the faces too. But when I look closer, I don't recognize anything.
Here I am, standing right in the middle of it. And yet, it's never felt further away.
I get that.
The two fall back into silence.
In the stubborn spring fog, all Cornerstone can make out ahead of her is Grundriss's silhouette, shrinking as she walks further and further into the haze.
This is the building I saw.
They come to a halt.
The building sticks out in the fog, as if it were welcoming them.
A great, primal force lurks inside.
Like a beast slumbering within a cave.
Architecture is more than just finding a harmony between beauty and utility.
Buildings are what ground us—remind us that we're not just a bunch of abstract thoughts bouncing around in our own heads. In the spaces they create, we become aware of our own existence. But here, I feel exclusion.
No cracks, no colors; all subjectivity has been firmly shut out.
What remains is but a single reality—a looming structure and the two tiny figures at its feet.
Let's go in first, shall we?
'Twas night, and three puppets sang.
Distant footsteps echo into the depths of the building.
Hmm. Breathy-wheezy, Honza hears breathing.
Everecho! Come and look-see.
Take note of these shapes. Triangles, rectangles, circles ... used everywhere. Interesting choice.
Are you familiar with Platonic Forms, Grundriss?
Not really. Not interested, either.
The reception here is hopeless. Still no connection to Bkornblume.
One, two, three, shadows slip into the mortuary!
Four, five, six, who will shut their eyes and lie there fixed?
The building's interior is silent, save for the occasional dripping of water.
The guests pass through the light and shadows, walking toward a destination seemingly forever out of reach.
A hunk of iron would pick up more signal than this thing.
*sigh* I was hoping to gather the data inside a week and then catch the earliest flight out of here.
Her gaze drifts to the megaphone hanging at her hip.
Take a breath, partner. It's not so bad.
Meeting with Bkornblume wasn't our main goal anyway. We're here to investigate the Point Irreversible.
And if you think about it, haven't we already begun?
Cornerstone has already found herself immersed in the meetings of light and form.
Strange. The purpose of this building is rather obscure.
Was it meant to be residential? But the circulation and lighting don't seem to match. A church? I don't see any ceremonial features. And the layout is hardly efficient enough to be a workplace.
If this place had been built entirely at random and served no practical purpose, there wouldn't be any clear architectural form or function. By all rights, it should've been a nightmare to build.
But I don't see any construction-related issues either.
You don't? There are cracks and corrosion everywhere. This building must have been abandoned for at least 30 years.
Maybe it's not obvious to you, but I see danger. We'd better not stay long.
Do you hear that? Something's buzzing, like there's a fly.
Cornerstone tears her attention away from her sketchbook and listens.
Mm? A little.
She approaches a wall and raps her knuckles against it.
*knock*
Take a look at this texture. It looks like raw concrete, but if you reach out ...
She brushes her fingers against the cool gray surface.
It's warm to the touch, as if it's been soaked in sunlight.
She presses an ear to the wall.
Ah! There they are, the "rats" in the wall.
<glitch>...</glitch>
<glitch>Stasia, shhhh. Listen.</glitch>
<glitch>It's the whisper of silence.</glitch>
Cornerstone stumbles back.
What is it? I've never seen you look so shook-up. What did you hear?
I can't say. I don't know. It doesn't make sense. Maybe I'm starting to feel that lack of sleep.
*squeak*
A strange noise—shrill yet somehow sluggish, like a rusty old crank being turned—echoes from the corner.
Then it turns again.
And again.
Who's there? Show yourself!
Cornerstone takes a step forward, her hand hovering in front of Grundriss behind her.
Then, a blinding light cuts through the shadows.
'Twas eve■■■■■ came the four-eye looters.
Agorged and guzzl■■■ ■■neath our ■■■f.
Beware the ghost-a-glimmer, greeders!
The burn-song flaming; the ouch-tear's oof.
♫ The sighing song murmurs sure ♫
Raise your flappers, flip ■■■■ floppers!
One step!
♫ To trace the steps my mother trod ♫
Two!
♫ I wander every distant sod ♫
Three steps we go!
So nice to ■■■■ thee, head and hands in tow—
But down ■■■■■ our grand-roof, aho!
The cardboard stage, too weak to withstand the performance, teeters dangerously.
No, our stage is falling down!
Run, Everecho!
Before he can say more, a gunshot rings out.
The bullet that follows buries itself into the girl's "heart."
Hmm?
She tilts her head, as if pondering the bullet's purpose.
Then, she raises her eyes to the source of the sound and sees someone standing in the stage's light.
You've been shot, Everecho. Start bleeding already. You'll be bloody-red and deathly-dead.
Oh! No. I don't want to die.
Delayed terror washes over her face as she grips her distinctly not bloody-red chest.
She floats away, leaving only the echoes of her bizarre words.
Wait! Stop!
Don't bother. She can't be killed. That shot was only meant to drive them away.
The figure standing at the entrance stirs.
One step, then two ... As the figure steps closer, their features come into view.
Huh? Wait. Is that ...
Good afternoon, ladies.
Bkornblume steps out of the light and stands before the pair.
Bkornblume! Finally!
Grundriss. It's been a while. You've changed even more than I expected.
She stows her gun and gives Cornerstone a reserved nod.
Ms. Cornerstone, it's a pleasure finally meeting you in person. I'm Bkornblume, your point of contact in Nowa Miedź.
I know you must have many questions, but please, come with me first.
4. Beneath the Shades
119 linesThey circle behind the stage and come to the other end of the building—silent, save for the echoes of their footsteps.
Hm? The signal's been restored.
Because I drove that girl away. Wherever she goes, our signals get jammed.
Huh. She's not some kind of radio tower, is she? I didn't notice any antenna popping out of her head.
My working theory is that she has some sort of attraction to high-energy zones, and her presence interferes with electromagnetic fields.
This building has its quirks. It may take you some time to learn your way around it.
It consists of two main areas. We were just in the west wing, which is where those creatures often appear.
"Creatures"?
The locals call them "Shades." But the girl you just saw is a little different than the rest.
She seems to have a physical body. But she can use an arcane skill to become intangible like the others.
Creatures like them are rare. Even arcanists seldom encounter them. Seeing so many in one place is even rarer. This building must have something to do with it.
You'll likely hear noises. Some come from the Shades, yes, but others seem to come from the building itself.
Or to be more precise, some of its bricks. Locals call them "Echo Stones."
That's a fitting name.
As for how these Shades come to be and why they are gathering here, I haven't found a clear answer.
These creatures are such vivid images of who they once were that, at times, it feels like they're still alive. In fact, many have made that very mistake.
But there's no need for concern. They won't interfere with our work so long as we leave them undisturbed.
Do you figure these Shades could have something to do with the building's immunity?
I was just coming to that.
She stops and tilts her head.
This way, please.
I recognize this corridor.
Familiar light. Familiar shadows. A familiar hallway.
Stasia! Hurry up!
Wait, Emil, Róża!
That light ... It's almost like the building is breathing.
Like magic, isn't it?
But you can only see it when things are totally silent.
...
The exit is just up ahead.
Cornerstone takes a deep breath and steps forward into that backdrop of so many of her dreams.
...
Loss.
The light from her memories has faded. Everything is hazy. Even the sun above seems weak and dim.
We have some of the survivors of the Temporal Anomaly that took refuge here.
They might have some idea what this place is and why it was immune.
—!
I figured there would be people living here, but I didn't expect so many.
It's alright, everyone. Please, step into the light.
She smiles and waves at the shadows.
These two ladies are the friends I mentioned earlier. They also survived that strange rain.
They mean you no harm. You have my word. They're only here for a field survey.
Yes, once we fill out our forms, we'll be out of here in a flash.
Before long, they are joined by more people.
And then even more.
Like ghosts haunting a ruin that time abandoned, people in old, tattered clothes stand still and silent in the shadows.
Until eventually, one speaks.
We meet again, miss.
You're the one from the station, "nine o'clock."
Or you can call me Jasio. Welcome. This is our home.
He thinks for a moment, then elaborates.
Hopefully not for long.
They'd been taking shelter here when the Temporal Anomaly occurred. As you can imagine, it has only worsened their situation. Most of them are hoping for a chance to start again, with a job, for instance.
I already explained to them who we are and what we'll be doing.
As long as we don't add to their troubles, they won't pay any mind to our investigation.
Very thoughtful of you, Ms. Bkornblume.
Happy to help. This should be all the setup you need. I'll let you get on with it.
I'll be in my monitoring station. There have been a few scavenger "visits" lately, so it's best I keep an eye on the equipment.
She nods and retreats into the dark hallway.
She seems a little cold. Did I say something wrong?
I've found she needs time to warm up to new people. You'll know she feels comfortable around you when she starts giving you flowers. I suppose she just prefers actions over words.
The residents leave as they speak. Soon, only the man named Jasio remains in the corner.
They're gone. Didn't seem all that interested in our work here.
Don't stick your nose into other people's business. That's the number-one rule around here.
But this isn't just "our business." It involves all of you. If this place really is a safe zone against that strange rain ...
It could save many more people if it happens again.
Lady, take a good look around you. We all survived that rain. Do you think any of us feel lucky?
He leans against the wall and lights a cigarette. Despite the somewhat confrontational question, he seems calm.
Bkornblume said you went through the rain, too. So tell me honestly: do you feel grateful to have survived?
...
Then why are you still here? Why not walk away like the others and live your own life?
Heh, yeah, been wondering the same thing myself.
He takes a drag and shrugs.
Got nowhere to go and nothing better to do. Maybe it's as simple as that.
With a smile, Cornerstone whips out her sketchbook.
All the same. Let's get started, shall we?
First question: Where were you on the 31st of December, 1999?
Right there, where you're standing now.
The shadows in the corner stir, and from them, a boy's ghostly white face appears.
Look up.
Cornerstone follows his gaze upward.
There used to be a dome up there. We were all under it when the rain fell.
When it stopped, the dome came crashing down.
Hmm.
She squints to examine what little remains of the dome.
Grundriss, can you make out those concrete remnants around the drum wall? The arrangement is very particular.
Given their size, it has to have been supporting a larger structure. One, two ...
Three sets. Each pair opening up at an angle of ...
60 degrees.
An equilateral triangle—the most stable structure. Once it broke, collapse was inevitable.
Cornerstone jots her findings down in the sketchbook, but her analysis doesn't stop there.
They're over here.
He pats the gray rubble piled up beside him.
Heh. That's a relief! For a moment, I was worried you'd sold them or something.
Not all of them. These are just what was left.
Some strange arcanists came and bought the others. They told us the stones were the work of devils.
Ah, well, on the bright side, at least you've all been trying to improve your lives instead of just sitting around and moping.
...
He lets out a huff through his nose and falls silent, but he doesn't leave.
Meanwhile, Cornerstone crouches down to bring her ear to the stones.
It's been so long. We've been doing well in Gdańsk. The sky is no longer dark. ■■■ family has grown, a beautiful new daughter. I'm sure Lu■■■■ will be happy for us ...
...
Not the same voice as before.
She sighs, though not even she can say whether it's in disappointment or relief.
Similar shade of gray and these whispers ... They must be the Echo Stones Ms. Bkornblume mentioned.
Do you know anything about the whispers coming from these stones?
Whispers? It's just random noise.
Cornerstone presses her ear even closer.
The whispers are no more.
After a silent moment, she hears another discordant sound.
Wait. That sound ... Stay away from that stone!
The warning comes too late.
Cornerstone has moved it away to reveal a nest of Critters, who are now glaring up at their intruders.
...?
...?
5. A Building's Message
125 lines—!!
The Critters shriek and scurry away.
Didn't see that coming.
Critters like to hang out around the Echo Stones.
That was impressive. I didn't realize you were real arcanists. I thought you were the types that doodle on paper and never solve anything.
Things change. These days, an architect has to know more than how to draft a good plan if they want to be taken seriously.
Wouldn't you agree, Ms. Grundriss?
She shoots a grin at her unamused colleague.
Same goes for site supervisors. We need more than just some math and engineering to push back against our architect's grand flights of fancy.
Well said. You know, that is exactly why I like working with you.
An afterthought, spoken as she traces the stones with her fingers.
If the dome was built with Echo Stones, then ...
Hm. Alright. We appreciate your help, gentlemen. That's all I need for now.
She rises to her feet and turns to face the others.
The rest of the building and its materials seem ordinary enough. So far, the only notable things are the dome and these Echo Stones.
If there's a secret behind this building's immunity, my bet is it's in them.
Bad news for you, uh? It's just a bunch of rubble now.
Unfortunate, yes, but not unexpected.
Grundriss quickly stows her files. She's more than eager to finish up.
I'll start drafting our report. Then, we can book our flight and—
What if we rebuilt it?
Sorry, what?
Cornerstone walks to where the dome would have once stood overhead, ignoring Grundriss's wide-eyed stare.
She squints into the sunlight pouring down from above, fingers coming together to make a triangle.
This building holds a very special message.
In almost every open, sunlit area, the main hall especially, you can see an emphasis put on basic shapes.
Circles, rectangles, triangles ...
These shapes are repeated and combined to form new structures: straight-lined vaults, rectangular rooms symmetrical along a central axis, floor slabs divided into equilateral triangles ...
Whoever designed this place clearly took a liking to them. Now, based on how those concrete beams are arranged and the shape of the opening in the roof ...
She takes a breath before delivering her conclusion.
I think it's safe to assume that the dome was circular on top, with a triangular section supporting it beneath.
I don't disagree. But let me remind you, Master Architect.
We're here to investigate the building's immunity, not repair a broken roof.
But what if we can replicate the immunity by fixing the dome? Wouldn't that help us understand how it came to be?
Imagine it: we recreate the original plans, rebuild the dome, and in the process solve the mystery at the heart of this place. Exciting, don't you think?
"We"?
Grundriss's eye twitches at the suggestion.
You mean the three of us here? Even with our arcane skills put together, there's no chance we could rebuild that thing by ourselves.
You do know the Foundation's entire construction department was wiped out in the rain, don't you? And we can't even hire local labor. Confidentiality protocol strictly forbids it.
Ah, true.
The unanticipated rebuttal brings the runaway train to a screeching halt.
But only for a moment.
Then, what about the people here? They've already seen the anomaly. Hiring them wouldn't break any rules, would it?
The dome isn't large. With the geometry and structure worked out, leading the construction wouldn't be too tricky. I mean, it isn't too hard to imagine—the people here used to be able to put up an apartment in under ten days.
Words flow out, eyes light up, and the train keeps chugging.
Ms. Bkornblume did mention that the survivors were eager for work.
Take this gentleman here. You wouldn't pass up a job, would you?
...?
You can't be serious. We don't have any contacts in this city. How would we even go about sourcing the materials? How many of these people do you think have ever even stepped foot on a construction site?
Eh, I worked in a packing plant before. Can't be too different, right?
I've hauled heaving slabs of pork around. At least, these bricks won't stink.
This is precisely what I mean.
Despite her anger, Grundriss controls her tone—a skill honed through years of strict self-discipline and projects alongside Cornerstone.
Alright, discussion over. No more pointless dreaming over impractical and implausible goals.
According to the Foundation's mission procedures, we're already overdue for our first field report.
If you really feel the need to, go ahead and include this grand reconstruction plan you've dreamed up. Who knows? They might fall for it.
This must be a new record. A whole three days and fifteen hours before the first major argument. You two are finally starting to get along.
Even over the communicator, they can hear the hint of a smile.
Kenna is all too familiar with the pair's strained working relationship.
Actually, ma'am, we only met up earlier today. We didn't even last three hours.
Either way, I appreciate your efforts. Grundriss has already delivered a comprehensive report.
The smile in her voice subsides.
But with the dome gone, whether the building remains immune has become an open question.
If we were to repair it ...
With the long and tense discussion having come to an end, Cornerstone stows the communicator and returns to her colleague.
Took you long enough. I take it you've managed to persuade your commissioner to your side once again?
She wants us to mobilize the residents first and see how many laborers we can gather. That way, she'll have some leverage in the meeting room.
As for the rest of our conversation, I'd really love to talk it through with you, if you're interested.
The banter is over, it seems. Cornerstone is all business.
I know you have your doubts about the reconstruction, perhaps even about the entire investigation.
But before we get to that, I need to speak to the leader of the survivors here, alright?
Heh. What are you up to now?
A voice from behind takes them by surprise.
You mean Grundriss and me? Well, we're—
We've had visitors from the West before, you know.
He approaches Cornerstone.
You come in all tall with your noses up in the air and your fancy cameras and briefcases and sit around in meetings, saying you'll bring "improvements" and a "better future" for this place.
And after a few days or months, once your money's all gone, you'll leave, like we never even existed.
You'll just throw us away, like we're some ... some ...
He frowns and trails off, perhaps lost in an unpleasant memory.
I understand. I really do.
Like I said, we'll talk to your leader first. If all you want is to be left alone, we'll be gone by tomorrow.
But I also want you to understand what you might be giving up. If we can figure out how the dome contributes to this building's immunity ...
Everyone here will stand a better chance if the rain comes again.
The chances aren't high, if I'm being honest. But if we do nothing and leave, it's possible no one will survive next time. It's as simple as that. Now, what do you say?
Logically speaking, it's practically an indisputable fact.
...
He looks down at his feet.
Sorry. I shouldn't blame you for what others did. My mom would never forgive me for being so rude.
Still, maybe you have your reasons to want to rebuild it right now. But you could just as easily change your mind later.
I won't. I won't give up. Not on this.
Cornerstone kneels to look the boy in the eye.
Because giving up halfway means I started with doubt, that I didn't have faith in the project.
It would be a betrayal of my firmest convictions.
To me, once a project is begun, it must be finished or else never started at all. There's no in-between.
...
I can respect that.
He turns and leaves, his expression notably softer.
Once he reaches the exit, he stops and looks back at Cornerstone.
If you want to tell everyone about your plans, I'll take you to where we eat. Olga should be there. If we have anything like a leader, it'd be her.
Oh, that sounds perfect. Please, lead the way, uh ...
Lucjan. You can call me Lucjan, miss.
Lucjan?
A fuzzy thought makes its way into her head, but before it can fully take form, it's gone.
So Cornerstone simply nods and smiles at him.
Ah, could you give us a moment before we head off? We'd better fetch Ms. Bkornblume first.
Oh, I'm already getting excited. It's been ages since I had proper hometown food. And if Olga's there—
It'll certainly be a night to remember.
—!!
Bad news! News most badly-bad! I listened-heard it all! The enemy's "dexclamation" of war!
They were out-loud plotting about—the naughty plots they have! Plans for concrete, structures, and something finished!
Plans to gather the people here; here together they'll plan—
Behind a damaged wall, Honza relays what he witnessed, exactly as he witnessed it, of course.
*gasp* No. Then it has finally come to this.
I have had many nightmares about this day. But I never imagined the devil to be this-this ...
Never-ever imagined it to be a four-eyed devil, neither.
...
The light in Everecho's body fluctuates, stormy and turbulent.
Hm, I don't know. The way she spends all day and night in that dim-looking station she's set up—it's all a bit unsettling.
You've known her for years, haven't you? You must know about what she's monitoring or who her supervisor is. Do you think she can hear us right now?
Hah. I think we've stayed friends all these years because I know exactly when to ask and when to keep my mouth shut.
Honza hears chattering voices, which can only mean trouble is coming.
Four-eyes incoming! Eyes-four come-inning! Hide away, find a way!
The two unusual residents make themselves scarce.
An icy silence hangs in the air.
6. Dream Houses
180 linesBkornblume rendezvouses with her companions, and together, they walk through the dilapidated building.
I've been here for almost a week now, but I've never once met this Olga.
She just got back. People say she owns a big house outside the city, and she has more than enough money to leave anytime she wants. But she chooses to stay here.
I don't care if she's rich or poor like the rest of us. She's kind. That's all that matters to me.
For the first time, a glimpse of childish joy appears on Lucjan's face.
As they make their way, the expected stench of mold hits their senses, but so does an unexpected sound.
Is that music?
Yeah. We used to have a group of young musicians with us. But then ...
Jasio shrugs and changes the topic.
They left a few things here. People complained about the "mess" at first, not so much these days.
He stops in front of a worn door.
A sliver of light pours through the gap between it and the frame, along with a solemn tune.
Here we are, ladies. Welcome to the Old Oak.
Something between a restaurant and a bar stands amid the dilapidation.
Diners sit in small groups, silent as mannequins, while white smoke rises and swirls through the neon lights' glow in a colorful spectacle.
I'd say those musicians did a decent job with the place—somehow crammed a bar and a stereo system into this tiny room, even a mic. No idea where they dug that up.
This is the Nowa Miedź I know. We may not have all the answers, but as long as there's vodka on the table, we'll muddle through.
Didn't you leave when you were eight? Seems a little young to form a sentimental attachment to vodka.
Lucjan squeezes his way through the crowd as they talk.
I just spoke to O—the bartender. She said Olga will be here in a minute. In the meantime, you're welcome to have a drink.
If there's one thing we're not short on around here, it's vodka. Żubrówka, Wyborowa, Chopin ...
Oh! I've always wanted to try Żubrówka.
Look at this place. I have to say I'm very impressed with how you've put this all together.
It bolsters my confidence in our upcoming project.
Cornerstone nods as she takes it all in.
Those long tables pushed together over there ... That's the bar, is it?
Come on. Let's find out how well they handle their own liquor.
Evening, young ladies.
Hunched over busily behind the bar is an old woman wearing a headscarf.
Good evening. Are you the—
The bartender? Think of me as the stand-in for now.
Without even looking, she swivels around and grabs a bottle of vodka from the top shelf.
And with a twist of the cap, a clean, somewhat sweet fragrance pours out.
Then apple chunks, rosemary, and cinnamon are dropped into a wooden mortar and crushed with a pestle.
And in a few short moments, the drinks are ready.
She places the light-yellow cocktails on the bar as if she's done it countless times before.
I call this one Apple Pie. Please, enjoy.
I like apples. I like cocktails. I love this already.
Cornerstone picks up her glass and takes a sip.
The blend of apple and cinnamon instantly brings her back to her days sitting in her grandmother's kitchen.
Mm! Amazing! It tastes exactly like apple pie!
"Stand-in"? My left foot! Normally, I'd be craving a java refill by now, but this liquid dessert's woken me right up. You're the real thing, ma'am.
The old lady can't help but give a girlish giggle, a contrast to the deep crow's feet etched into the corners of her eyes.
Oh, hahaha. Thank you very much, dear. There's no higher praise for a bartender than a customer's smile.
I do hope you enjoy your stay here in Nowa Miedź.
With that, she turns around and gets back to tending the bar.
A building full of mysteries, a strange puppet, and a grandmotherly old lady slinging the best cocktail I've ever had ... It all feels so unreal.
But no. This is reality. It's just that I haven't seen much outside the Foundation since the anomaly changed everything.
While Cornerstone muses about the experience, Grundriss places her notebook on the table.
Since we're waiting for Olga, let's make good use of our time.
I have some questions for you. Now, to be blunt, these might not be easy to answer.
But it'll help us and the Foundation get a better understanding of what we're dealing with.
Of course, you are under no obligation to respond to any question you're uncomfortable with.
She pops off the cap of her pen and looks to Jasio and Lucjan.
Now, would each of you be able to give me an account of what you experienced during the anomaly?
I'm not expecting anything formal. Just tell me what you felt, what you noticed.
...
This topic is clearly a terrifying one.
After a prolonged silence, Jasio finally speaks.
It was unsettling.
Everything looks more or less the same but feels completely different.
Same old streets, same old shops, but the people passing by? Total strangers. Heck, even the stray dogs don't look the same.
It wasn't long after that I realized that I'd lost everything: money, connections, my past, maybe even my future too.
People assume I'm new around here, but I know every corner of this city like the back of my hand.
He tilts back his head and downs his cocktail in one big gulp.
I had a job, I had benefits, a life here—all of it melted away like a puddle under the sun.
And I'm left stuck in this "new" world.
But I've been changed too. Now I'm just a drunk, clinging to useless memories of a long-gone future.
It's like the city's moved on without you, isn't it? Like you don't belong anymore.
...
A long moment later, Grundriss pulls herself back from her thoughts.
Her pen remains hovered over the paper, not yet sure enough to be set down.
I'm glad to see I wasn't the only one who felt that way.
They said we survived the rain, but we were wiped away too. We're just the ones that remember the world that abandoned us.
Nobody dares speak after that.
And in the silence, an invisible force brings their emotions together to rise and mingle with the night's lights and shadows.
An hour later …
Before they know it, it's already midnight.
Thanks to the vodka, the lights have grown softer, their once-clear boundaries melting away. Now, everyone is chatting and clinking glasses like old friends.
So you've lost your homes too? I thought big organizations like yours would take care of that.
Even the Foundation couldn't have anticipated a disaster of this scale.
I haven't had a chance to check on my apartment in Zurich. I hope it's still there. You've no idea the hoops I had to jump through to get those Corbusian windows installed.
Ms. Bkornblume told us you're an architect. You must've designed all kinds of houses.
Lucjan, sipping a glass of milk, seizes the chance to indulge his curiosity.
I did, actually. Before joining the Foundation, I was a residential architect.
Could you maybe design a house for me? Just a small one would be enough.
That way, when my parents come back, we can have a real home together.
His voice lowers to a near whisper.
I-I don't have any money right now, but I'll make some, enough to pay for everything.
...
Usually I don't take commissions from children. Forgive me, you don't make the most reliable clients. But—
She looks at the people in the bar.
She doesn't recall any of their exhausted faces appearing in her childhood, yet they're all so familiar.
If she hadn't left, they would've been her neighbors and friends. Nowa Miedź was, after all, always a small city.
Maybe this is a chance to give back to the city that raised me.
Go ahead. Tell me what you want. I think we still have some time to sketch something out before Olga arrives.
Mmm.
Lucjan looks down at his glass with a pensiveness beyond that of a boy his age.
My mom really likes nature. So, the house should be near the woods.
And I always like watching water run down from the hills. Maybe it could have some big windows overlooking a stream.
No, wait! We could build the house right over it. That way, I can look down and see the water running underneath my feet.
There it is. Let your client list out their demands, and there's no holding back their imagination.
Cornerstone, however, doesn't flinch.
Hmm, but I like that. In fact, this design of yours reminds me of an architect famous for bringing nature into his buildings.
I've got just the idea.
Cornerstone pulls out her sketchbook and flips to a blank page.
Her strokes are quick but not rushed.
Before long, a clear sketch takes form.
There it is, your very own "Fallingwater"!
Wow!
I based the design on the work of a famous architect, a man called Frank Lloyd Wright. But yours is a little smaller, and I adjusted the cantilevers a bit.
That way, we can make better use of the hilly terrain for support.
It's less extravagant but more durable and, above all, cheaper to maintain!
Cornerstone can't help but ramble on about her ideas, not that Lucjan minds.
Ah, it's beautiful, like a little palace. You really are amazing!
But I bet it'll take forever to save enough for a house like that.
You'll get there. And when you do, just let me know.
She slides her business card to her future client.
I might even give you a discount on my usual fees. But let's be clear. I call all the shots.
So? What do you say? It's a dream for both of us. You get your house, and I get to see my design approved without any client revisions for once.
Lucjan tucks the card, a promise of a dream fulfilled, into his pocket.
Yes, ma'am. That's a promise.
Would you look at that! I've never seen such a nice house! Could you draw one for me, too?
It seems the draft has pulled the attention of the bar's other patrons.
Some rise from their seats, some scooch over with their drinks in hand, and some are pushed away by the lively crowd. Even the loners in the corners can't help but crane their necks in hopes of catching a peek.
All white and facing the sea.
I just want a small place with a garden, maybe a few trees.
I've been thinking about getting a new safe house, hidden, secure, maybe with a small patch for growing cornflower.
Then we'll open up a window and let some light in.
And just like that, the heavy atmosphere of the bar is rewritten.
Now, they happily discuss houses, windows, gardens, and ocean waves.
As if speaking on them could will the sketched homes into reality.
Perhaps they might bathe gray walls in morning sunlight, or welcome the sounds of the tide into spacious rooms, or urge the trees in the garden to bear fruit right on schedule.
Listen. I'll do my best to design what you want. But remember, it's only a draft. Don't you go building it without talking to an engineer first!
Cornerstone, now fully surrounded, feels as though she's a child on the swings again.
She finishes her cocktail and slams the glass down.
No pushing now! One at a time!
*snore*
The tide of excitement has finally receded.
Of their party, one has succumbed to the liquor, another retreated to her dark monitoring room, and the last has fallen asleep on the job.
Build me ... Irinei's office ...
Cornerstone leans back in her chair, head tilted toward the never-ending triangles that shape the ceiling.
There you are again, Plato's triangles.
When joined together, you can support the entire structure above us, forgoing the need for pillars.
Even better, you provide an excellent way for designers to hide lighting and ventilation systems from view.
But how did you manage to support that dome?
She taps her pencil against her sketchbook, and her vision turns hazy, caught between paper and geometry.
...
Your coffee, Stasia.
Snapped out of her reverie, Cornerstone leans forward and takes a sip.
Thank you. Mm! Perfect acidity. Naturally processed beans, I take it?
You've got excellent taste.
The old lady gives a gentle chuckle.
Hahah. How does it feel to be back in your hometown after so many years?
...
It's like designing a building.
You think you know everything already until you're there. That's when you find all the things you didn't know that you didn't know.
But, as you go deeper, familiarity resurfaces, and you start to accommodate what's real with what you only imagined.
But you still swing between the two extremes—reality and imagination. Sometimes, it seems like they can't be reconciled.
Though the alcohol has slowed her mind, she finally catches onto a peculiar detail.
Hold on. You said "Stasia." How did you know to call me that?
The old lady doesn't answer.
She just reaches out and pats Cornerstone's head.
It's getting late, dear. Get some sleep. Leave the rest of your designs for tomorrow.
I can't go. I'm still expecting someone, a woman named Olga.
Olga? Why would you want to talk to her?
I need to ...
Not even caffeine can save her.
The vodka has won. Her synapses may as well be covered in molasses.
I need to talk her into rebuilding the dome. I need her help to bring people together.
The old lady can't help but laugh.
Silly girl. You've spent the whole evening designing houses for almost everyone here.
You don't need Olga to win their hearts. You already have.
Her eyes are losing focus.
The old lady's silhouette blends with the neon lights, turning her into a sort of jigsaw puzzle of misaligned pieces from different eras.
An inexplicable yet powerful hunch forms in Cornerstone's mind.
Ah! It's you! You're Olga.
Right as the world goes dark, she hears a response.
I'm just a stand-in bartender. Sometimes, people call me "boss."
But, if you like, yes, you can call me Olga.
7. Fallingwater
180 lines19. April 1996.
Cloudy.
Olga has agreed to help put together a construction team.
It's only a few people, but for the early stage of the project, it will suffice.
The proposal has been formally submitted to the Foundation. I am certain it will be the cause of many discussions and debates.
P.S. I'm presently regretting every last sip of those cocktails.
Did you hear? Turns out the Point Irreversible in Nowa Miedź really is immune, and they think it's because of a building.
With a few more of these immune locations, even if the anomaly happens again ...
The Foundation's halls are buzzing with excitement.
Yet within a certain conference room's walls, the atmosphere is tense.
Our joint project has already proved quite fruitful, Ms. Kenna.
I think we all needed this—some good news to lift our spirits.
However, we do have one small problem.
Irinei pauses. He must choose his words with care.
At this point, we still can't say for certain which part of the building generated its immunity.
Rebuilding the dome could risk damaging its original structure. We may end up jeopardizing the very immunity we're trying to retain.
We know too little to push for a project of this size. If we're to do this safely and responsibly, we should wait until we have a better understanding of the building, or better yet, of the anomaly itself.
Let me assure you, your investigators' discovery already speaks well of your abilities. There's no need to rush things to prove yourself within the department.
Kenna, not at all afraid of Irinei's questioning, simply tucks a lock of hair behind her ear.
Respectfully, I didn't advocate for this project for my own benefit, Mr. Irinei. Think about how much this anomaly has wiped out. We need to make up for what we once had and who we've lost.
Zeno is barely holding on with what they've managed to pull together, and Laplace is overwhelmed by the sheer surge of anomalous data. This location of Nowa Miedź may sow the seeds of our recovery, but we need a permanent presence there.
How can we "get a better understanding of the anomaly itself" when we don't even have a safe place to work?
An issue they've pushed from their minds, now laid bare.
And what if the Temporal Anomaly happens again? Where do we run next time?
I'm suggesting patience, not stagnation. The two are not to be conflated, Ms. Kenna.
I have to say, it is remarkable how many locals they've managed to recruit for this construction on such short notice.
This is by no means the outcome everyone had hoped for.
Whispers fill the conference room, intermixed with the occasional cough and shuffling of papers.
They are indeed full of surprises. I wasn't entirely confident they'd find anything at all.
But looking at the progress we've made now, I'd say luck is finally on our side.
One corner of her mouth curls into a smile.
It'd be a shame to stop now, don't you think?
And I'm certain I don't need to spell out the edge this building will give us over our enemy if we turn it into another safe zone against the anomaly.
As silence falls in the conference room, seconds seem to stretch on forever.
There is no straightforward choice. The attendees wait for guidance, a sign, anything. Unfortunately, none present are gifted with the power of premonition.
I believe you both may be overestimating the gulf between your positions.
It's Lucy, listening from a corner, who breaks the stalemate.
The rational course forward is to break the project into smaller phases, allowing for necessary reassessments before we proceed with each step.
First, we must determine the viability of building a new dome. In the meantime, Laplace will perform tests on the stone samples to identify the origin and nature of its immunity.
Then we move to the second phase, sourcing the resources necessary for accurate reconstruction.
This should ensure we minimize risk and put our limited supplies to their most efficient use without stagnation.
Point well made, Madam Lucy. I agree entirely.
And you, Mr. Irinei? Any thoughts?
...
Irinei flips through his papers. His face is emotionless, but his eyes are focused.
After a prolonged silence, he speaks.
Six months.
Take it phase by phase, like Madam Lucy said. If at any point there appears to be a risk to the structure's immunity, then the entire project will be terminated immediately.
Additionally, after six months, regardless of whether the anomaly happens again or not, we move the architect on to another project. Her talents are needed elsewhere.
How did it go, Ms. Cornerstone? Did you get an answer?
Shh.
Cornerstone shakes her communicator.
The two hold their breath as they struggle to hear Kenna through the static.
Mr. Irinei asked me to pass on his congratulations and his personal thanks for your efforts.
We've reviewed your proposal to repair the dome.
...
It's been approved. You have the green light, ladies.
Of course, we'll need to discuss some additional details later. But for now ...
She pauses, a hint of playfulness creeping into her tone.
You'd best get started. Let's not assume we have time to waste, eh?
She did it! She convinced them!
But the Engineering Department doesn't have any extra hands to spare. It's all on us now. Six months. Not a second to lose!
Her eyes shine bright against the dark circles that line them, and she flips open her sketchbook, eager to get started.
First things first, materials. We need all the usable Echo Stones we can salvage. As for the ones still in the walls, we'll have to mark them and—
No. I'll need the plans first. We'll go through them line by line before anything else. We can't leave any room for error.
Grundriss, her eyes now bearing dark circles of their own, approaches Cornerstone from behind like a ghost ready to possess her.
Try to stay calm while I do my job. Though I doubt very much that you will.
Just don't make this any more challenging than it already is. These "workers" of ours ...
She looks at the residents scattered about the atrium.
Some are sprawled out, snoring on the grass.
Others sit swaying in the corners, surrounded by piles of colorful liquor bottles.
I'm not even sure I can expect them to even show up on time, let alone do the work.
Then start thinking now. How do you get them off their bad habits and back into a proper routine?
Damn it, Cornerstone. I'm an engineer, not a psychiatrist.
I'll be there. I'm always up early, and I'm not even old enough to drink.
Lucjan seems to have latched onto Cornerstone since that night, perhaps out of an eagerness to see more sketches.
That dome was like nothing else in the world.
When the sun came out, the light poured through it like a glittering waterfall.
A waterfall? That would take an awful lot of natural light. But from what remains of the roof, it doesn't seem possible.
Olga!
As soon as he spots her, he waves excitedly.
Olga ambles over, a gentle smile on her face.
Now, now, Lucjan, we've talked about this before. You're in no position to do this kind of heavy work.
Right. You're right, boss.
Despite his concession, Lucjan can't help but frown.
*sigh* The poor child was separated from his parents during the deportations.
Deportations?
It was a few years ago. Soldiers came and forced many people from their homes, thousands put on a train and shipped across the border.
Many children were separated from their families along the way. Lucjan was one of them.
He still hopes that they will return for him. That is why he wants to help with the dome so that they can find their way back.
I see.
It's been so long. We've been doing well in Gdańsk. The sky is no longer dark. ■■■ family has grown, a beautiful new daughter. I'm sure Lu■■■■ will be happy for us ...
Fragments of memories piece themselves together, forming a reality that looks both coincidental and perfectly rational.
Yesterday, I heard a woman's voice speaking from one of the Echo Stones. It sounded like—
I should get going. I promised Mr. Jasio I'd go help him out at the market today. I'll need the money if I want to eat tomorrow.
Lucjan cuts her off with a smile.
See you later, Olga, Ms. Cornerstone.
With that, he walks away.
Lucjan ...
He's always been a strong boy, but there are some things he needs time to process.
I don't blame him. Honestly, I've seen grown adults who couldn't cope half as well as he does.
Cornerstone shakes her head, then opens her suitcase and hands some hastily drawn-up contracts to Olga.
Ma'am, I asked to meet because I wanted to talk about hiring the residents.
Yes, dear, I've already told them about the salary and the other things you brought up the other day. So far, they all seem rather bright-eyed about it.
I think most of them will do anything for a stable job.
I owe you a great deal for all your help, ma'am.
Olga just smiles, making the wrinkles on her face even more prominent.
Hush, now. I'm just glad to be of help. You know, I think Róża would be simply overjoyed if she learned about all of this.
Olga nods.
I did. I knew almost every child that came through the building. Their parents would ask me to look after them while they worked.
You'd already moved abroad by the time I met her. Never stopped talking about you, that one.
She told me over and over how you were going to be a great architect, that you aced all your exams, and how you were the prettiest girl in the class. She was very proud to have you as a friend.
She also told me she always knew you would inevitably leave this city behind.
I always thought it was the other way around. I've admired her my whole life for all the things she knew back then.
Emil, Andrzej, and I ... we never would have explored so many places if it weren't for her.
I remember how the light shifted as it scattered over the rooftops. We came back to sketch them at different times, in different seasons.
Back then, she was still a frail little girl, drawing board in hand as she stumbled behind Róża like an obedient quail chick following its mother.
Róża, wait!
Wait for me!
They ran along factory walls, highways, and murky rivers without a care in the world.
Lighting, axis, functional zoning ... None of those esoteric terms the grown-ups used mattered. All they needed to do was feel.
You were exceptional children, and you became exceptional adults, too great for these dull streets.
I always believed you'd wind up somewhere bigger and brighter, where your talents could really be seen. Hm. And just look at what you've achieved.
And Róża? Is she ...
...
Olga pauses for a moment.
The sun has begun its westward descent, and with it, the shadows on her face shift.
She's gone. The rain took her. I could never find Andrzej or Emil either.
I'm sorry, Stasia. It would have swelled my heart with joy to see the two of you meet again after all these years.
That said, perhaps you wouldn't even be here if not for that rain.
...
This is a loss she had already come to accept. Yet today, she is forced to face it once more.
I heard her in an Echo Stone yesterday. Róża, I mean.
It almost gave me hope that she might still be alive.
I've heard her in those stones too.
Sitting in the shade, Olga almost looks as though she's a decorative statue.
It's as if this building remembers those who once stood here—their voices, their shapes.
While we laugh and cry or just chatter on about nothing, the stones listen.
Moments in life we all believe to be lost, like dew under the sun—they're captured in here.
I like to think this is why people are drawn to this place and why it has become a home for so many.
Hm. So that's what it is.
Cornerstone glances around.
Time marches on. People move here and there.
Stretched shadows, floating dust in the afternoon sun ... all come together to create a scene of serenity.
For now, the entire world is contained within a single space.
All those lives and the traces they leave behind, Róża, Lucjan's mother, even you and me—
This building holds them all, like a vessel.
Yet behind the intersection of the known and the unknown is a law at work.
A law that is invisible, untouchable, and possibly unverifiable.
And that's why I want to restore this place.
She reaches out with open hands to welcome the sun pouring in through the remnants of the dome.
The thin beam of light falls right into her palm, forming a perfect geometric shape.
This will be the most important project of my career.
The late afternoon sunlight fills the bar.
It's empty, save for the lingering odor of liquor and smoke.
♫ When the wind began to stir ♫
A voice, melodic and airy, finds its way in.
♫ Mother rose and wandered afar ♫
The song continues, and the voice grows clearer.
As it reaches its end, a colorful glow passes through a wall.
She floats down to a microphone, and her gaze falls upon a faded poster, something to do with outer space.
She taps her forehead with the microphone, scouring her limited vocabulary for the words she wants.
A very happy new year!
No time for playing space girl, Everecho! Come now and see, girl.
It's the architect's open sketchbook, left behind on the table.
So long we dreamed and dreamed we longed of this, didn't we? It's—
A mushroom.
Everecho confirms the findings with an earnest nod.
...
No, silly-wig! It's our dome!
Our dome?
Her brow furrows in confusion.
8. The Workings of Light
153 lines23. April 1996.
Sunny.
Construction commences today. The schedule is as follows:
7:30 AM: Arrived on site, checked all safety measures, and ensured the hoardings and notices are up.
8:00 AM: Site induction with the workers ...
Right, everything's set. We're off to a smooth start!
You can do this, Grundriss. It's just a job like any other.
Now steadied, she snaps her notebook shut.
The workers aren't as skilled as the professionals in the Foundation, but they'll do fine.
As long as I stay calm and focused ...
The atrium is empty.
Oh, where is everybody?
A breeze whisks up a couple of yellowed leaves, smacking Grundriss square in the face.
Did I get the time wrong?
Four hours later …
Noon rolls around, and the workers finally mosey their way in.
They line up in the sunlight, eyes unfocused. Last night's drinks have clearly done a number on them.
Morning, miss.
Far from it, Mr. Jasio. It's 12:34. You're late, and so is everyone else.
Your manuals had clear instructions that work starts at 8 AM sharp.
*burp* What manual?
No need to get all riled up, Ms. Grundriss. We can work till midnight to make up for lost time. Eh, how's that?
Stay calm now. No good shouting on the first day.
Grundriss takes a deep breath.
I'll let it slide this time. But going forward, if you're even one minute late, you'll be penalized.
And no drinking or card games on site. Helmets stay on. That's nonnegotiable.
Huh? We didn't sign up for all these extra rules.
Let's just stick to the book, miss.
She glares daggers at him.
We are sticking to the book, every word of it. You'd know that if you'd bothered to open your manual.
...
Alright. Let's not waste any more time.
Before we start, allow me to give you a quick rundown of our goals here.
She turns and scrawls something on the wall using a piece of chalk.
A project like this typically follows the following phases: pre-design evaluation, design, pre-construction and construction, handover, and operation.
The design phase is where the architect makes and refines the plan and builds a model of what we aim to achieve.
Pre-construction and construction—the phases most pertinent to you—involve material acquisition, site preparation, foundation construction, structural works, and so on.
She pauses so everyone can take all the info in.
Right now, we are at the very start of our project. So, our primary focus will be on design and site preparation.
Since we're on a tight schedule, the two phases will be carried out simultaneously.
Our architect and her team will be developing a feasible plan and model for the dome.
While we, the construction team, procure the key building material: the Echo Stones.
The Echo Stones? We've got plenty of those lying around all over the place, don't we?
We'll need more. The loose ones are only about enough for a millstone and a few cutting boards, but we've got an entire dome to build.
And for that, we'll need the ones that are still in the walls, too. It will be a two-step process. First, we mark the stones we need; then, we take down the walls.
Is everyone keeping up so far?
She turns back at them and is met with nothing but blank stares.
Ehhh. Break down the walls. Got it.
That's right. Good.
She sighs. This is going to be a long day.
Now, I'll show you how to tell the Echo Stones apart from regular bricks.
Eh, we'll save you the trouble. Everyone knows the noisy ones are the Echo Stones.
Not quite. Sometimes they're quiet, but I found a way to ensure we don't miss any.
She approaches a wall, looks it over, then knocks it with her knuckles.
*knock*
Hear that? The bricks that make the sound are the Echo Stones.
And look closely. They each have a faint tint of steely green compared to regular concrete.
She takes out a marker pen and draws an "X" on the Echo Stone.
Just mark them first. Then I'll make the arrangements for demolition.
Next, there are a few safety rules to follow. Refusal to comply with any one of them—
Will result in a penalty deducted directly from your salary.
Two hours later …
I'm not repeating this for a fourth time: Secure those scaffolds before getting on!
We did! See? Standing just fine!
It's deflecting by more than 30 cm! I don't even need my arcane skills to see it.
Hey! You over there! Get down this instant!
Don't you know that's a load-bearing beam?
This thing? Oh, okay. I'm coming down.
Hey, who's pulling me? Stop it!
The sun descends below the horizon.
Amid the noisy construction, Grundriss sits alone, her eyes glazed over.
Long day, Ms. Grundriss?
Don't get me started. These people ... Half the time I'm not even sure they're listening. At this rate, there's no way we'll finish on schedule. And I hear Cornerstone is struggling with her plans as well.
They all seemed so motivated, until they actually got down to doing the work. I even hoped we might finish a month early. How stupid of me.
If things go on like this, I'll be forced to send another report back to the Foundation.
...
Bkornblume sighs and sits beside her.
I've worked with people like them.
They're not the most ideal for your work. It's true. But they're far from the least. Just ordinary people. Nothing more.
You're under a lot of pressure, I know. But you're expecting them to put their lives and all their bad habits aside to match your vision.
That's not realistic. This isn't a fairy tale, and they're not perfect heroes.
I'm not asking them to be heroes. But don't they understand this might be their only chance to survive another anomaly?
They know. But it's not present to them; it's an abstract threat that feels too distant to fear.
She pats Grundriss's shoulder before turning her gaze to the workers.
You can't think about something so large when you're just surviving the day-to-day. You know the man who was struggling to put up that scaffold? He works a second job as a bouncer at a nightclub.
And the one sitting on the ground there has a permanent injury he sustained working in an oil refinery some years ago.
And the one with the hammer—his child is sick at home with a fever.
I had no idea. Maybe I have been too hard on them.
Oh, sorry. I just made that all up.
...
Bkornblume does a long stretch, then gives Grundriss another pat on the shoulder. Her scarf can't conceal the smile reaching her eyes.
But you understand my point, don't you?
They're struggling. Maybe they've made things harder for you, but they're not your enemy. You should spend more time with them, like you did with me all those years ago.
That might be the best way to reach them. It's worth a shot, at least.
...
Yeah, worth a shot.
I'm afraid it's bad news, Lucjan.
I've checked and double-checked my calculations, but my conclusion remains the same.
In her makeshift office, Cornerstone looks to her newly appointed "assistant" with remorse.
Even taking down all the walls we can from the west wing, there won't be enough material to rebuild the dome using only Echo Stones.
I-I never finished fifth grade, miss. I don't think I can help much with your calculations.
Math was always my worst subject, too. I barely passed my last exam by just a few points.
He brings Cornerstone her requested cup of piping-hot coffee, which is his sole duty as an assistant.
Don't worry about it. Sometimes just having someone to talk about the problem with is enough.
*sigh* I'll just have to do what I can. Finish the model first, then tell Grundriss to disband the workers once they've gathered all the Echo Stones in the west wing.
She looks to the east wing, currently serving as a place for the residents to sleep and relax.
Could we make up the difference by tearing down the east wing too? Ah!
A swift hand snatches Cornerstone's coffee.
*glug*
She downs the whole cup in just a few gulps. If it scalds her, she doesn't show it.
Ah. Much better.
What's that smell? Have you been drinking?
Bkornblume suggested I get to know the workers. So, I did.
I didn't drink, but Marcin, goodness, that man is a walking liquor bottle.
There's a bunch of them I need to speak to still. I feel like I'm spending more time fixing people's heads than managing these demolitions. Anyway, I should get back to it.
As she reaches the doorway, she hesitates and turns back.
Oh, and I overheard you just now. Not the smartest idea—if these workers are dismissed, it'll be almost impossible to find them again.
And I wouldn't expect them to remember much of what they've learned once they leave.
So, what do you suggest?
We'll need to tear down the walls in the residential wing.
Then, where will they live? Have you asked Olga about it?
Seems like you've got some work to do. Come on, project director, time to play your part.
Grundriss manages an exhausted shrug.
Well, it's too late to back out now, isn't it?
I warned you that we'd be getting ourselves in deep with this. Now we have to deal with the consequences. Sink or swim.
Speaking of, how's the design coming? Any progress?
Cornerstone accepts a fresh cup of coffee, courtesy of her assistant.
Practically none.
...?
Go on. Explain it all to "Dr. Grundriss." Just another problem to fix.
It's the lighting. Something about it has me totally stumped.
Everyone talks about the light pouring down like a waterfall on sunny days. But that's impossible. The triangular structure here would block it.
What's more ...
Her gaze drifts to a corner as she speaks.
I think someone here doesn't want me to finish my work.
Paper, pencils, rulers ... all my stationery's been disappearing.
Though she keeps her voice low, the statement still reaches Lucjan's ears.
Really? Any idea who it was? I'll talk to them.
Shh.
She presses a finger to her upturned lips.
Don't worry. I've already hatched a plan.
Night falls, bringing the lengthy day to an end.
In a corner, some old tables and chairs have been used to create a temporary rest area.
Cornerstone, exhausted from the day's work, has curled up under her blankets and finally drifted to sleep.
Something appears from a corner.
It creeps beneath the dim light, casting a looming shadow.
Then, like a net, the shadow envelops the sleeping figure.
...
Heh heh. Find it. Found it.
9. The Baseline
71 linesHow are things going in Nowa Miedź?
Less than ideal. They're really feeling the lack of experienced workers on site.
Nothing surprising there.
We're under no obligation to help. But still, if they're struggling, a little nudge wouldn't hurt.
*rumble*
Whoa!
Distant applause accompanies the sound of a wall crumbling to the ground.
Bkornblume approaches the window and peers outside.
Well done. Now, remember which group you're in?
Szymon, Marcin—Group A. Move the bricks and clear a path. Watch out for the cables on the ground.
Group B—yes, Jasio. Come with me.
She flits through the construction site, deftly naming the workers despite having only recently made their acquaintance.
Got it, boss. And after we're done with the bricks?
Pick out the Echo Stones we marked and bring them to the atrium.
She spots an exposed head and points a finger.
Marcin! Where's your helmet?
My head was feeling stuffy, so I took it off and left it, ehh, somewhere.
Go find your helmet and put it on. Now.
She takes a deep breath before assigning the rest of the work.
Group C, keep working on dismantling those walls. There's still one more to go before your break. You were all late today, so I don't want to hear any complaints.
...
If I may, I'd like to adjust my report.
Despite a little early friction, things seem to be on the right track now.
I don't think they need any further help from me.
One, two, three!
*rumble*
Another wall comes down.
Alright, climb over here. Let's find those marked stones.
Give me a hand, huh?
The workers help pull each other over the mountain of collapsed stones.
A testament to their efforts, a hard-won symbol of victory.
Not bad, everyone.
Ah, I'm just in time. You all must be worn out. I've brought pierogi.
Pierogi for dinner? Hah. I must be dreaming! I'll have ten!
Long-absent smiles grace the workers' grubby faces. Jasio, on the other hand, takes a seat on a concrete slab and lights a cigarette.
...
Piles of rubble, relieved smiles ...
Just like that momentous autumn she remembers so fondly.
The clamor doesn't make it to the other side of the building.
Here, only a hazy light floats to and fro, as if it's checking and double-checking something.
You're back! They didn't see you, did they?
Not me, no. Of course not. This is for you.
The architect's wacky-bob, her secretly-secret weapon! She was playing pick-up-put-down with it when she did-do her work.
Honza drops a used eraser into Everecho's palm.
Secret weapon? If we could make it disappear ...
Everecho lifts the eraser, steels herself for a moment, and swallows it whole.
Urh. It tastes awful.
No! Don't eat it, no! It'll only go splodey-crack or turn you green and blue! Out with it! Spit it out!
*cough*
Time and use have left the eraser covered in germs and who knows what else.
It's bound to conflict with her energy if it comes into direct contact with her.
Poison true, greeny-green and bluey-blue ...
Honza falls silent, his eyes turning into those of an ordinary, inanimate puppet.
No, no ...
An obstructing force, viscous and ominous, spreads through her body.
The flow of air around her becomes heavy. Each breath is a struggle.
In the end, she falls unconscious.
...
*thwack*
*cough*
A palm comes down on her back, dislodging the eraser from her throat.
Fresh air flows into her body once more. She can breathe freely again.
Feeling better now?
*pant* Yes ... yes ... Thank ... Ah! You! When did you—
Cornerstone's hand stays resting on her back.
Her fingers apply the tiniest bit of pressure, just enough to feel coercive.
When you tried to destroy my secret weapon, of course.
10. Memories Look at Me
86 linesHeh-heh, nah-nah, you can't catch us!
Everecho floats unhindered through the obstacles in her path, as if taunting Cornerstone's limited body.
Cornerstone takes a breath, and right as the two troublemakers are separated, she waves a finger.
*boom*
Walls surround Honza.
...?!
Put me down! Let me go! Go on with the downing! Or I ... I'll jump!
*boom*
Another wall comes down on top. Now, he's really, truly trapped.
Cheatery-cheating devil four-eyes, you'll regret this.
Curses and banging are muffled by the cube's walls.
But try as he might, he is no match for his prison.
Sorry about this. I really don't mean to do things the hard way.
But there's only so much disappearing stationery I can take before resorting to desperate measures, so I lured you out.
Her words echo through the room—empty, at least to the naked eye.
Though Cornerstone can't see her, she knows she's listening.
I think there's been a misunderstanding. Let's talk things through, shall we?
Of course, if you're not willing, I'll be happy to hand this little puppet over to our site supervisor.
She's got a heart of stone, you know.
She uses her arcane skill to construct a blocky stool, whips out a cup of coffee, and takes a seat.
Don't! Don't hurt Honza!
A panicked Everecho floats out from behind a pillar.
It was me! I told him to steal from you.
This is the thief? This little dear?
And she did it all right under my nose. I must admit, I'm impressed.
...
The dejected "culprit" sits surrounded within a makeshift "interrogation room."
I'll get you for this, &)%*@#!
More muffled curses leave the box.
Unfortunately for him, unintelligible insults deal no damage, emotional or otherwise.
That voice ... It's the same puppet from before.
Cornerstone approaches Everecho.
Ms. Everecho, is there a reason why you're obstructing our work?
She has no intention of backing down, even with all these outsiders and the "devil four-eyes" questioning her.
I have seen your drawings. You don't understand this place ... Mistakes, all over.
And the people ... they are uneasy. I feel it.
Uneasy? Why do you think that?
Everecho's gaze moves from one face to the next until, ultimately, it meets Cornerstone's.
Colorful glints shimmer in her left eye, like a rainbow refracted in a kaleidoscope.
What should not be forgotten—the past, not the present ... voices ... writings ...
And what has been asleep in this building ...
Her voice lowers into a mournful murmur before tapering off into nothingness.
...
In its ruins, we find no peace.
As if sensing something, the Echo Stones piled in the corner tremble and hum.
The voices reverberate in the space, weaving into a sort of homogeneous, distant movement.
The birds are gone. Winter has come. The voices are gone. The names have faded.
It's as if they're waking this slumbering ruin.
Oh, no. The Echo Stones are resonating with each other!
The building could collapse at any minute! Watch your heads for falling debris!
Everecho's eyes open.
The voices fade. Silence falls.
In the light of the atrium, her form all but dissolves into the sunlight.
A wandering soul, forgotten by time, left to guard a grave.
Then we'll just have to find the right plan! That way, we'll be fixing it, not ruining it, right?
...
The statement throws her for a loop.
Can you do that?
You seem to know this building better than anyone we've spoken to.
If you help me find the right design, then of course I can fix it.
Years of persuading clients have made Cornerstone an excellent tactician.
You can also keep an eye on us. No more hiding in the corners. Just stick around and make sure we're being fully honest with you.
What do you say?
...
Everecho's lips fall open, but no rebuttal leaves them. She can't find one.
Certainly, but on one condition: you can't steal any more of my things or impede our work here.
I-I promise!
She starts pulling everything from her pockets: models, rulers, draft paper, coffee beans ...
Before long, there's a mountain of lost items between them.
And your secret weapon, eraser.
She hands the saliva-covered weapon to Cornerstone.
Here!
11. Promenade Architecturale
121 lines8. May 1996.
Sunny.
16 days into the project.
Things have gotten bumpier. It turned out that the west wing had far less usable material than we initially hoped. Each wall only yielded a few intact stones.
In the end, we had to take down walls from the residential wing to get the numbers we needed.
The Echo Stones, once slumbering by the residents' bedsides, now lie in carts to be transported.
Grundriss stands off to the side, taking inventory of the stones.
48, 49, 50 ...
That's the last of them. Finally, we have all the materials gathered. All that's left is for Cornerstone to fix the lighting issue.
And get a model together, then construction will be officially underway!
With that, she snaps the file shut.
I'm sorry that we had to move you out of the residential wing, ma'am. We were hoping to keep the construction's impact on everyone to a minimum.
Oh, not to worry, dear. Personally, I think we'll all sleep a little easier without those Echo Stones in the walls.
And, as we agreed, you'll replace them with ordinary bricks, yes?
Right, of course.
Still, I appreciate your support. I thought you'd never agree to this, or at least that you'd want more compensation.
Olga smiles and waves her hand.
Ah, we would never.
Even if we don't say it much, everyone here wants to see that dome rebuilt.
Some of them were reluctant at first, but after spending time working on the project, they've come around to it. That's just how people are.
...
Grundriss's eyes go wide, like she'd never considered the possibility.
For us, it's just another project. But for you, this is your home being turned upside down.
I should have appreciated that sooner.
But you've chatted with almost all of us now, haven't you? That's far more than any other engineer ever bothered to do before.
Grundriss is stunned once more. But then, she smiles.
Thank you for understanding. I promise I'll build you a better, quieter wall at the end of all this.
Now, you'll have to excuse me. I have a few things to go over with Cornerstone.
She turns and begins making her way left.
You're heading the wrong way, dear.
She's in the residential quarters, the temporary one.
There's a small problem with the lighting there, so we asked her to give it a quick lookover.
I thought this place might be in need of some more natural light.
But this-this is much worse than I imagined, hardly livable at all.
We're only staying here while construction's underway, but we didn't dare tear an opening in the wall without checking with you first.
Oh, that glowing girl you caught is in there, too.
I know. Lucjan volunteered to watch her. But I think he just wanted something to do besides hovering by the coffee pot all day.
As she speaks, a dim glow in the distance catches her eye.
Is that a television?
Curiosity gets the best of her, and she approaches.
Hm?
Everecho and Lucjan are seated on the ground, eyes fixed on a television screen.
Together, Everecho's luminescent body and the fluorescent screen look like a pair of glowing jellyfish floating in the dark sea.
Having fun "watching the prisoner," are we, Lucjan?
Mhm. Just watching her watch TV.
His mind is clearly elsewhere.
Actually, she chose a good show.
Cornerstone looks at the screen.
It's some kind of bizarre puppet show. She's arrived just in time to see a man open his head and place a fish inside.
Heheh. That was funny.
Oh, I wish Honza were here. He would get all sorts of great ideas from this.
The thought of her absent friend brings a frown to Everecho's face.
I think you're already quite talented enough in scaring people. No need to learn any new tricks.
Besides, I'm not sure he'd react all that well to a prank that begins with giving him a craniotomy.
Crani-on-tony? What is that?
An abstract word, far too complicated for her, but she senses a hint of danger in its syllables.
Her eyes wander to Cornerstone's empty hand.
Your chatty little friend isn't with me right now. But he's safe. You have my word.
I'll free him once the design's complete, like we agreed.
She leaves them be and paces around the room.
Not that there's much room for pacing; from the doorway at one end to the window at the other, there's barely enough space to even turn.
The stove and sink sitting against the wall leave only a narrow path past them.
Hmm. Seems like this used to be a kitchen.
We had a similar place when I was little. I remember my family would crowd together to watch TV or do some reading. We had all kinds of books.
I'd have thought an architect would hate to be stuck in a cramped place like this.
Hate? Not at all. I quite like it, actually.
It's in spaces like this that you see people's resilience most clearly.
To do your best with so little, that takes real willpower and courage.
Now, about that natural light, I have an idea.
She removes part of the ceiling at the kitchen's center, revealing a grayish-blue sky.
Oh, that's much brighter.
I lived in an apartment block when I was little. I remember the ceiling hung so low over our heads I thought it might just squeeze us into nothing.
Every day, I'd make a little time to go downstairs and sit on the swing, just to feel the daylight on my skin.
I remember thinking, "What if I could just lift the roof up and let the light pour in ..."
So everyone at home could feel the sunlight?
Her childhood was gray, a dream built from ashes.
The sky always looked as though it carried a layer of grime, and below, rows and rows of gray and white buildings lined the streets.
Yet within all that gray, there was always a sliver of light.
This is so pretty, like that Hagia Sophia place we saw in the magazine.
I don't like it. It's too bright! I feel safer in a dark room.
I know. I'll get rid of these windows.
But-But I wanna see the stars at night!
Alright. Then, I'll add a roof you can see through.
Laughter echoes among the empty buildings. All is soft and slow.
With her friends looking over her shoulder, she sketches building after blocky building, each with an identical facade and veranda, each a similarly imposing obstacle.
As the graphite marks the page, the gray world—an unbuilt fantasy belonging only to her and her friends—breathes.
Somewhere amid the repetitive geometry, she finds a strange sense of peace.
Something as simple as a bit of light can make a room come alive.
I almost forgot I played with this very same idea as a child.
I was younger and bolder then. I raised the ceiling and placed ribbon windows all around.
Like the windowed dome in the Hagia Sophia.
...
She suddenly falls silent.
What is it?
I can't believe I didn't see it before.
Still standing in the center of the renovated kitchen, Cornerstone looks up at the newly constructed skylight above her.
If we lift the dome and extend the drum, we can let the light come in from where it meets the ceiling.
And the room will be evenly lit.
An idea springs forth.
With a wave of her finger, materials manifest out of thin air.
One part acts like a crowbar, lifting the cut ceiling section by section, while the rest moves inside, serving as a raised frame.
She conjures glass panels and fixes them into the continuous window frame between the top of the wall and the ceiling.
...
*click*
With the last panel in place, the room feels warmer and brighter than ever.
From the kitchenware to the occupants' faces, everything is bathed in a warm glow.
There it is!
Whoa! The light's pouring down just like a waterfall!
The light was never coming in from above. It was coming from windows along the sides!
Now, if we were to add it to the dome, it would look something like ...
Cornerstone mutters to herself as her pencil scratches its way across the paper.
Ms. Everecho, would you take a look? Is this the kind of light you used to see?
She gives the sketch to Everecho.
...
Sketch in hand, she walks to the space beneath the window, where light and shadow dance at her feet.
Her fingertip traces an aloe vera leaf, and the sunlight rises on the green, almost restoring it to life.
Then she looks up into the warm glow above.
12. Omnipresence
48 linesIn the beginning, the world was silent.
She was asleep in an incomplete dream, dozing on earth whose native tongue had yet to form.
When the wind began to stir
Back then, there was no "her," only a faint melody drifting on snowflakes in nights of exile, whispering through birch-covered battlefields and the silent winter wilds.
She was written in soldiers' letters and sung by elders returning home from the fields. She was drowned out by sobs and washed away by spring rains.
War and peace alike passed through her. New accents picked her up, and others forgot about her altogether.
She was their prayers. She was their testimonies. She was their memories.
The daisy breathes soft in my ear
It saw the tears she shed that year
Whenever someone sang of her, she gained a new blood vessel, a new strand of light.
Those vessels flowed, day and night, at times merging and at others separating, until finally, they converged into an endless river that rushed within her.
And then, one morning, she awoke.
...
Light ...
The sun rises, casting a golden glow across the cemetery. In a melody, I weave the duality of dawn— For only us in the blinding radiance, you and me.
U-Us ...
You ... Me ...
Your steps dance, your eyes twinkle. Yet within them I see doubt and sorrow. Come. Let us walk hand in hand through the fields of daisies, unto your silent domain.
Daisy ... Daisy ...
She plucked notes from the silence and sang words into the emptiness.
From that moment on, memories held an echo.
In the middle of the night, they shook my daddy from his sleep.
Sleep ...
Work. Endless work. They labor day and night.
Day and night ...
No more gray skies and stagnant streets.
No more gray skies.
Róża, wait for me.
Wait for me.
Hmm? Who's talking?
Stasia, shhhh. Listen.
She does as she's told.
A faint, colorful light glimmers in the surrounding air.
Like a ray of sunlight pouring through the clouds, more comforting than dazzling.
Wow! A golden light!
It's the whisper of silence.
Sounds like these can only be heard if we're as quiet as a whisper.
It's like they've been waiting a long, long time to be found.
...
Time flows on, eroding her memories.
All she remembers now are the light yellow daisies swaying by the stone wall on that sunny spring day.
She leans over and takes the pencil from Cornerstone's hand.
That's the sun?
No, the daisies. Don't you remember them?
Everecho looks up from the sketchbook, and her earnest eyes meet Cornerstone's.
There used to be so many daisies here.
13. The Immeasurable
90 lines3. June 1996.
Cloudy.
Today marks the 42nd day of the project.
We've procured enough Echo Stones, and the design for the dome is all but complete. Now comes the real challenge: building the model.
Looking back, this is our first real breakthrough since the project began.
Hmm, structure's unstable.
I'll just add another piece here for support and ... beautiful!
Calculations. Considerations. Adjustments. Comparisons.
Cornerstone and her assistant are still hard at work in the atrium, finally ready to put the Echo Stones to use.
One by one, the workers scatter, leaving only a few residents lingering on the steps.
They're quiet. The model in Cornerstone's hands quickly draws their attention.
Looks like all there is left to do is put the triangular prism in place. We've certainly come a long way.
But there are parts I still don't fully get. Could you walk me through your design again?
With pleasure.
The sudden burst of energy knocks them all out.
By the time they come to, all that's left is scattered rubble and the ruined dome overhead.
...!
Goodness, you're bleeding!
A stone shard has torn a gash in Cornerstone's right hand.
Oh!
I'll be fine.
This little thing won't cause a dangerous drop in total blood volume. There's no risk of impairment, so I'll just patch it up for now.
But, ma'am, you're an architect. You need your hands to work.
Lucjan presses a white handkerchief to her wound.
Even if we don't manage to fix the dome, you still need to build all our houses, remember?
I appreciate your concern.
But let's be clear: we're nowhere close to abandoning this repair.
Cornerstone staggers to her feet and turns to face the residents.
Worried, numb, and disappointed faces all silently stare back at her.
*sigh* This is the truth of architecture: the blueprints can be flawless, but construction, like our lives ...
... rarely goes as planned. Still, we must keep on keeping on.
Mr. Jasio, I need you to gather some hands and move all the fallen Echo Stones to the safe zone.
Grundriss, please retrieve the model. We'll need to reassess some key features, especially the joints.
Ignoring the pain in her hand, she punctuates the request with a clap.
Everyone else, get some rest.
I'll reevaluate and revise the sketch once the site's cleared.
We have four months until Mr. Irinei's deadline.
Can we really afford to "reevaluate and revise" this late?
We have to. I'm certain of it.
...
Why? Why are you so hell-bent on this?
Grundriss shuts her file. At last, the question that's been plaguing her since the very beginning is voiced.
Why? I don't know.
Maybe I want to defend my pitiful pride? Maybe it's an obsession for my craft? Maybe the rain warped my mind in some way.
She stares at the rubble and lets out a bitter laugh.
Or maybe I still believe it can be done. Which do you think it is?
She kneels down and sifts through the shards.
*sigh* Stubborn as a mule. It's almost amazing, but I should know better.
If only Tatlin had you to help build his Tower all those years ago, I bet it would've become one of the great wonders of the world.
Eh, pardon the interruption.
Laplace has asked to speak with you, something they want to relay directly.
Bkornblume waves a communicator at them from a corner. It's been some time since they've last seen her.
Got a feeling that this isn't good news.
Well, I'm about as used to bad news as I am to caffeine by now.
Grundriss raises an eyebrow.
Just sip slowly. This one might hit like a double espresso.
"Chaotic Energy"?
The report, of course, has stretched on for an eternity.
But this particular phrase has finally piqued Cornerstone's interest.
Yes. According to the letter we received from Institutum Lorentz, the energy detected in the stones you found appears almost identical to Chaotic Energy. One could even say they're simply different forms of the same thing.
Well, that conclusion does seem to be right in line with their particularly mysterious field of research.
Indeed. The letter also noted the Echo Stones and the building they belong to are highly and likely inherently interrelated.
When physically damaged or moved, the stones' latent energy becomes disturbed. This may be how their "echoes" are produced.
If this interrelationship is severed, the building's resistant properties will be lost forever, even if you create an exact replica.
...
Silence, as if the architect is reeling from a particularly bitter sip of coffee.
Are you still there, Ms. Cornerstone?
Very well.
In fact, we theorize that the displacement of these Echo Stones risks triggering a volatile chain reaction.
She hears rustling, then another voice.
That's exactly what happened, Ms. Simone! When we were assembling the model, the stones released some kind of violent energy fluctuations and attacked us!
Ah. Yes, well, then you have your own evidence to add weight to Lorentz's theory.
Hey, get your own communicator!
Simone hears what she can only imagine is a tussle on the other end.
...
She puts a few inches between her ear and the communicator.
A moment later, Cornerstone speaks, clearly straining to be heard.
Allow me to finish, Ms. Simone. I'll be brief!
Her words come out rushed, but her tone radiates confidence.
I would suggest that these attacks from the Echo Stones may well be a sign that we're on the right path.
This relationship that's been identified might not, in itself, be an obstacle. It only means we need to learn how to manage their energy.
The Echo Stones' defense mechanisms activate in reaction to specific types of disturbance, right? Which means their behavior must be in some way controllable.
All we have to do is find the right energy distribution to maintain the Echo Stones in a balanced and usable state.
You aren't alone in that hypothesis. But our conclusion was that the process would carry unpredictable levels of risk and require a lengthy experimentation period.
And that was just considering the model. Were we to expand the scale by the hundreds of times necessary, the potential consequences would multiply exponentially.
As per their usual practice, the Institutum's letter offered no conclusion regarding the safety factors. Therefore, after careful deliberation, the LSCC's official instruction is ...
A pause.
All efforts to repair the dome should be terminated immediately.
14. Existence-Will
130 lines"Under the joint command of the Foundation and Zeno, I led troops to hunt down Manus Vindictae across Central Asia following the Temporal Anomaly."
"With our intelligence network rendered deaf and blind by the enemy, we have had to rely solely on scattered scout reports. Over the past week, my troops have been ambushed three times."
"Three of my soldiers were killed. Thirteen others now require long-term medical care."
He flips the page.
"For most of the operation, we've been flying blind, with no means to gauge enemy numbers, track their positions, or even tell whether we were still engaged."
What comes next is too heavily redacted to read, so Irinei instead looks to the other end of the conference table.
What I've just read is a report from Admiral Igor. He's engaged in fighting with Manus Vindictae as we speak.
Can you imagine, Ms. Kenna? The chaos and blindness ...
This is the reality we are now facing. And do you know what makes it worse?
He isn't the only one. All the latest reports show that this has become the new normal.
...
I think we can all agree that under these circumstances we need to adapt.
And to compromise. Shame as it may be, your little wonder did not pass the first stage of validation.
There's no reason to keep investing in a project we've already determined to be an unacceptable risk.
I see.
The Committee intends to redirect its funding towards surveillance and fortification against Manus Vindictae.
As our only active architect, Cornerstone will play a key role in the task, as will Grundriss.
Kenna sighs and gathers the papers scattered across the table—reports from Zeno and Laplace, even a letter from Institutum Lorentz.
I can't help but feel for them. To fail so close to success ...
No need to be discouraged, Ms. Kenna. The New Office Construction Project won't be scrapped entirely.
You may still have the chance to return to Nowa Miedź in the future. But for now ...
He pauses. His eyes, sharp as a hawk's, turn to the architectural sketch laid out before him.
The building will be placed under the Foundation's control, as per procedure. We can't afford to let it fall into the hands of Manus Vindictae.
The Foundation taking control—that much I get. But why are they forcing everyone else out?
With all due respect, Mr. Irinei, I don't see how that aligns with your "safe and responsible" approach.
Grundriss, hiding away in a quiet corner, finds it difficult to keep her voice steady.
You have to understand the recklessness of our enemy. Manus has been launching suicidal attacks across the globe.
In times like these, leniency is a luxury. We can't allow for any unnecessary security risks.
...
But what are we going to do to relocate the residents?
We're negotiating a plan with the local government. The details are still pending, of course, but we expect promising results before long.
Squatting in an unstable building is no way for them to live anyway. It is an imposition, but we'll do everything in our power to accommodate them.
But sir, I don't know how I'm going to break this to them.
Just yesterday, Olga told me we should all have tea together beneath the dome once it's repaired.
I sympathize, Grundriss. I do.
But we must continue our work. Look at the bigger picture. Think of those we've lost.
The call ends.
...
They're going to kick us out, aren't they?
Lucjan's voice pulls her out of her thoughts.
She didn't even hear him and the others approaching.
We heard you talking with that cold-hearted boss of yours.
I ...
I'm so sorry.
So, the dome will be broken forever.
It won't protect anyone when this Temporal Anomaly thing happens again. We'll all disappear, just like Mama and Tata.
He kicks a stone.
That jerk!
I'm the real big boss here! Why am I the last to hear about all of this?
The infuriated "jailbird" waves his stubby little arms about.
It's the first time he's made an appearance since the last draft was finished.
Everecho's hazy eyes look from the television to the tattered wallpaper to the sunlit atrium.
But I love it here. I love watching TV with Lucjan and the others.
And we're only halfway through Jabberwocky.
She hurries over to the television and throws her arms around it.
...
Grundriss averts her gaze. This isn't her call to make.
Cornerstone, shouldn't you say something? Hm? What are you ...
...
Cornerstone stands in a corner, her back to the crowd, like a child in time-out.
The exposed concrete here in this corner ... it's quite different from the perfectionistic style found in the rest of the building.
But it feels more like a deliberate choice than a result of budget constraints.
Rough, crude, primal—it's as if it's been waiting for someone to notice it.
She's already seen many similar details throughout the building.
Stasia, shhhh. Listen.
Sounds like these can only be heard if we're as quiet as a whisper.
It's like they've been waiting a long, long time to be found.
You've been waiting for me as well, haven't you?
The concrete beneath her feet is silent, yet she feels its confirmation.
Alright, alright, enough with the long faces. This isn't your fault.
We're all long used to wandering anyway. We wandered from our deserted homes to factory dorms and freezing warehouses, then, at last, to here.
Whenever we start to feel we've "found home," something will cause us to pack up and leave again. That's just the way it goes.
Take it from experience, you two: nothing in this land truly belongs to us.
He gives her his signature sardonic smile, the corners of his lips half upturned.
*thwack*
Cornerstone gives him a light smack upside the head.
...?
That's quite enough of that blasé attitude of yours. Pull yourself together.
Tell me, Grundriss, how long will it take for Irinei's relocation policy to be implemented?
A month at most. Why? What are you planning?
Her eyes narrow into a wary glare.
Nothing. It's just that relocation work is something completely outside my area of expertise.
So, rather than doing a disservice to the work, my time would probably be better spent resting. That's allowed, right? Catching up with old neighbors, sketching up "unimplementable" designs, things like that?
She blinks.
Silent stares are the only answer she's given. In their eyes are surprise, doubt, and, if she's not mistaken, the faintest trace of hope.
You still haven't given up, have you? Do you see something I don't?
Just a hunch. No guarantee it'll work, to be honest.
Her eyes scan the broken Echo Stones.
There's one thing I need to confirm.
She walks over and presses her hands to a stone. The cool, hard surface doesn't stir.
What are you doing?
Cornerstone picks up a nearby hammer.
Stop!
*bang*
The hammer comes down, and shards of stone go flying.
No, you can't do that!
She's gone bing-bang-bonkers! Bonkers she's gone! Those dark circles were an illy-billy-bad sign, I told you! Told you, Honza did!
*bang*
Another hit.
The onlookers stagger back.
The wound on the back of her hand opens, and blood trickles through the bandage, staining the gray stone.
Tch, argh. Come on now, almost there!
*bang*
The Echo Stone shatters under the hammer's weight, again and again, until all that's left is gravel.
Alright, "ritual" complete.
Ahem. I know you all must have questions, but please listen first.
No one says a word.
The humming hasn't let up; it sounds the same as ever.
Hear that? Even after the Echo Stone is shattered into pieces, you can still hear its sound.
Which is to say, it isn't the form that matters.
What's really sustaining these sounds ...
She steps out from the corner, letting light fall onto the stone shards.
Faint traces of golden light flow from the cracks, intertwining with each other before vanishing.
... is this building itself, or in a more underlying sense, the law of "energy"—or Order—that flows within it.
It ends with the space; it ends with the self.
She can't hear any more, but she's closer—closer than she's ever been.
Hmph. I've heard of mad scientists but never mad architects. I guess not even the end of the world could stop you from finishing this project, huh?
Cornerstone shakes her head.
Oh, I wouldn't say there's anything stopping me. Nature does nothing in vain.
Rubble gets recycled, time moves forward, life goes on—that is the law of nature. All I've done is stood back and attempted to understand it.
Law of nature?
Everecho's nose scrunches in disagreement.
But her quiet doubts don't reach Cornerstone. She continues summing up her thoughts.
All the same ...
The Foundation hasn't decided where they'll send us next.
So I still have the freedom to use my pencil as I please, don't I? Even if only for a day or an hour.
15. Veins of the City
173 lines9. June 1996.
Partly Cloudy.
Today marks the 7th day since the project was officially terminated.
No more construction personnel on site. No safety inspections. No routine checks either.
...
I knew I'd find you here.
They said you'd been poking around here over the last few days to check the walls and the warning signs.
Just doing my job.
The construction site is much quieter than before.
The ground is covered in leftover building materials, discarded rebars, and disassembled scaffolding.
You're waiting for Ms. Cornerstone's final verdict, aren't you?
You still believe she'll find something to sway the higher-ups.
It's possible. But nothing's certain at this point.
She's out on a "field trip" with some of the residents as we speak. Hopefully, she'll find some inspiration.
Grundriss doesn't unbury her face from the checklist in her hands. She's taking inventory of the scaffolding piled at her feet.
It's funny. Even when I'm the one asking the questions, you somehow manage to make me feel like I'm a student being grilled by their teacher.
I imagine this hasn't been easy for you, partnering with Ms. Cornerstone again.
You're half right.
I'm used to working with people like her. In fact, her sort of whimsical passion reminds me a lot of my grandfather.
Hm. You've never mentioned him before. Was he an architect too?
Grundriss shakes her head.
Almost. He was part of the last generation of Bauhaus students.
Ah, the famous Bauhaus! They're legendary in Berlin.
Legendary indeed. In their early years, they tried to dissolve the boundaries between disciplines. Artists, craftsmen, designers—they studied side by side. Fine arts, crafts, even architecture ...
It was an era of brilliant minds, led by giants like Kandinsky and Paul Klee, driven by ideas that were as passionate as they were bewildering.
To many, they were outsiders, too radical, too unorthodox. But at their heart, they were young souls burning with ideals.
But the times they were living in turned against what they represented. The world around them changed to one of immense suffering.
She lingers on the thought for a moment, then steers the conversation elsewhere.
But despite pressure from the government and the public, they pressed on, expanding the boundaries of expression and art to their fullest.
Until the school was closed. That was 1933, I believe. I'm sure you know already.
Before it was officially dissolved, Ludwig Mies van der Rohe, the school's final director, gathered the teachers and some students for a meeting. He cracked open a bottle of champagne, and they shared a solemn drink as a toast to their parting.
And that's where Bauhaus and my grandfather's artistic journey ended.
I grew up listening to this story. If there's one thing I learned from it, I suppose it's to not take anything for granted.
Of course, you could say that's just an excuse for why I'm so uptight. Either way, it doesn't really matter.
Her eyes darken, and her voice lowers.
I miss them a great deal. Mama, Papa, Hannah, and my dear Grandpa.
The days I spent with him were always full of surprises.
He'd pop up out of the blue just to say the funniest things: "We'll be covered in mold if we stay curled up in our shells any longer!"
"This is going to be the next big thing. Let's give it a whirl!"
The excited words ring in stark contrast to her serious expression.
"The next big thing." Every now and then, I find myself wondering what he really meant by that.
"Next big thing" ...
In those days, an expression like that might have been viewed as a sign of subversive disorder.
Humanity has never been short on revolutionary ideas, but they rarely last long. Rockets soaring deep in space, tanks rolling through streets, books torn from libraries and burned en masse ...
*sigh* Nothing lasts. And we're left to live among the ruins.
Hmm, but I don't think it's the buildings or things we made that collapsed—
Bkornblume lets out a sigh.
It's something deep within us, buried in silence.
Somewhere in that silence, people stopped believing, machines began to rust, and signals started to distort.
But from that same silence, new ideas, new "big things," are born.
Grundriss spots the smile hidden beneath her scarf, reaching all the way to her eyes.
Those very distorted frequencies were where I heard the first faint breaths of a new world.
Hiking up a hill this size in summertime is not something she'd been physically prepared for.
We're almost there, dear. Just hold on a little longer.
Ugh, sluggy slow-poke! Leave her behind, and leave we should. Even granny-goggleface hikes faster.
...
Cornerstone's eyes narrow, and she traces a golden arc in the air.
...!
Ah! We'll just play sit-and-wait right here, then wait and wait. Heh heh.
Ahahaha, no need for that. We've already arrived. Oh, whatever is that creature there?
—!!
Hey, why is it wearing Mr. Marcin's helmet?
You followed us all the way up here? You are hard little workers, aren't you?
She takes a long, tired breath and sits in the soft grass.
Phew, I'm exhausted!
Her complaint echoes across the hill before the wind carries it away.
She closes her eyes, takes in the scents of the grass, dirt, and air, and lets them dance with the sketches, shapes, and calculations floating around in her mind.
I've been away for so long. I hardly recognize the city anymore.
Ms. Bkornblume said you went to Switzerland. Or was it Sweden?
Cornerstone shakes her head.
Switzerland. But not just there. Every time I started to feel at home in one place, my parents up and took us somewhere else.
Oh, boo-hoo and hoo-boo! "I've moved so-so much; who knows how many times?!"
Six. Six times.
Her whisper is almost entirely lost to the wind.
I kept track.
Amazing, six times? I've never even left home once.
Well, it's all in the past now.
Hm. I think it was good for me, as an architect, anyway. I learned to observe the world from a distance. It gave my designs a clearer sense of objectivity.
She sits up and whips out her sketchbook.
Alright, I'm full of energy again! Time to get down to the heart of the problem.
Olga, ma'am, can you tell me what you know about the history between the city and that building?
I've asked around town about it, but it seems like no one knows much of anything about it. It's as if it's always been there, or at least as long as anyone can remember.
But it's here, in this particular city. I have to believe there's more to this.
Heh heh, very well. I'm an old woman, and the city is older. So where should we start? Before the war, or after?
Cornerstone thinks for a moment.
Hmm, we should start with the post-war period.
Alright, let's see.
Olga, seated in the oak tree's shade, begins sifting through old memories.
The biggest change was when the military engineering corps arrived. This was a few years after the war. Then, soon enough, the city was flooded with waves and waves of trucks, engineers, and workers.
I used to come watch them as they unloaded building materials and raised scaffolding. I remember how the concrete dust would cake their arms, clinging to their sweat under the sun.
The steel mill near the railway was the first to go up, followed by the boiler house, the power station, and then the water pipes.
A gust of wind rustles the leaves, causing the speckled shadows to dance across her skin.
Both her eyes and voice have become more distant.
Oh, I know! Then the apartment buildings a little way off from the mill were built. They even had those trolleybuses, though they only ran to and from the factory district.
I knocked out two of my front teeth there. Turns out I wasn't as good on a bike as I was with a pencil.
Hehe, me and my friends loved to bike everywhere. Not even the wind could catch us.
And more and more people came, and the buildings got bigger and bigger, and we got schools and buses.
He points at the city streets as he recounts that summer.
There was a polyclinic around every corner for if you needed asthma medicine or something like that.
Things were easier back then. It was like we could race across the entire world, and all I needed was my bike and my friends by my side.
...
I miss those days and my old friends.
...
The words blur and fade away in Cornerstone's mind until, eventually, they form a distant scene.
She takes off her glasses and examines the base of the far-off mountains.
As the sun descends, warm lights begin to dot the haze, painting an abstract silhouette of the city.
There they are.
In her trance, the lights connect into vessels weaving through the fog.
The veins of the city.
She looks even further off, where red and gold bands of light wander between buildings, coming together in dusky clouds.
It's the industrial district, situated on the plain at the foot of the mountain. A railway cuts through it, then passes through the mountain itself.
The industrial district's main road stretches outward into a horizontal strip of lights, lined on either side by gray and white residential buildings and smaller branching roads.
And the parks and markets follow the neighborhoods, sprawling outward from them.
Even further still, the city and the river intersect. The city sprawl comes to a halt along nature's own line.
A linear layout. The main roads form the skeleton, with these clusters of light like organs distributed along it.
They tread along historic walls, sail down industrial rivers, and cut the small city into even smaller units—together, in isolated harmony.
Until they reach their deliberate ends in each direction.
It all makes sense now.
Back then, the engineering corps worked to shape the city according to an inherent order.
They understood something essential about the reconstruction of a city.
First, you restore the city's ability to sustain itself, then you make it accessible, then habitable, and only then can it become truly livable again.
It follows a natural sequence, each piece laying the foundation for the next.
They restrained themselves, allowed the city to remain aligned with the natural topography, rather than forcing it into an artificial sprawl. Little by little, they restored its vitality.
That's what it means to find a city's "Order."
"Order"?
...
For once, Honza has nothing to add.
Cornerstone pays his silence no mind, though. She's too immersed in her new discovery.
Yes, you might think of it like a law of nature. Living cities grow in the same way forests do, following paths that may seem random but in truth follow predictable patterns.
An architect's duty is to recognize those patterns, find their hidden order, and, through that, grant them form without impeding function.
And I'm beginning to suspect that the Echo Stones follow that same principle.
Like a firework, a sparkling thought flashes across Cornerstone's mind.
It's her knocking on a brick, asking:
What is it that you want to be, brick?
She once spent countless days and nights asking that same question.
Yet the brick never answered. So she stacked bricks into all sorts of bizarre shapes, and to no one's surprise, the constructions fell apart.
But had the brick truly not answered her?
On that afternoon beside the window, she took a few steps back and let the sunlight fall onto a nearby brick.
She remembers the specks of light leaping and dancing on the soothing gray surface.
Now, they overlap with the lights dotting the cityscape.
Oh! Perhaps I've been of some help, after all?
Far, far more than that. You and Lucjan have saved this entire project!
She pulls Olga into a hug and plants a few kisses on her wrinkled cheek.
To think that after nearly three decades, today is the first time I've truly seen my hometown in its entirety.
It was always there, right before my eyes. I just never saw it for what it was.
This is incredible. I haven't a second to waste! I need to get started while this inspiration is still fresh in my mind.
She grabs the safety helmet and sprints away without a hint of her previous exhaustion.
Easy now, dear. Oh, you forgot your pot!
She laughs as she hobbles after Cornerstone, holding the ever-necessary moka pot in her hand.
...
The wind carries the excitement away, leaving the hill quiet once more.
They never really meant to lock you up, Everecho. You're free to go.
You can go wherever you want, do whatever you want.
You don't have to stay here watching TV with me. Really, I can manage on my own.
No.
I do not want to go outside. There are too many new rules, new words. They are confusing and a little scary.
I want to stay and watch over the building and the voices. The Shades ... Someone has to ...
She lets out a crestfallen sigh.
Even Honza's head droops.
They would be so sad if I left them behind.
But I thought you were alright with Ms. Cornerstone's plan.
Lucjan shakes his head.
No, don't do that. You knew your answer already.
You can't help but stand by them. I feel the same way. Because when you're with them, all that sadness and darkness fades away.
He extends his arm, and the last speckles of sunlight pass through his pale hand.
The warmth lasts only a moment, but it's enough to make him linger.
Like you're finally under the sun again.
16. Volume Zero
67 linesWhen we first arrived, we talked about the building's geometry. Do you recall what I said then?
It's a little hazy. Did you remember to re-bandage your hand today?
She glances at the back of Cornerstone's hand to check.
Of course, of course. Don't worry. I wouldn't dare give you something else to nag me about.
That's the spirit. But you were telling me something about the building's geometry. What is it?
Ahem. Well, as we discussed, the geometric layout here doesn't simply seem to be pursuing any clear function according to the principles of modern design.
There's something about it that's more classical or perhaps even primordial.
These aren't forms made to suit a design. I think these forms existed a priori to them.
They're self-contained, symmetrical. Can you feel the cadence of their lines?
It gives a sense of order, a harmony as natural as gentle breathing.
You can spare me the poetics, professor. Just get to the nuts and bolts.
She furrows her brow. Despite her words, she's the one sounding the part of a professor picking apart a thesis.
Right, right, completely see what you mean. Let me bring it down to earth a little.
Sorry, indulge me. What I'm suggesting is that what we see here are only "shadows" of the ideal, a secondary reflection of a "higher reality."
So, in a sense, we aren't merely stacking bricks and stones.
We're guiding them back into the light of their ideal forms.
I get it now. I am part of this place, just like all of you.
I was meant to protect you, but I failed.
The voices rise in a wave, perhaps to answer her.
Yesterday's echoes have been whisked away.
Today, we are enveloped by radiant light.
In a brilliant realm where the dead rise and stride ever forward.
The waves cry, tumble, and crash.
Then, at the place where the setting sun kisses the sea of light, she spots a familiar friend.
Honza?!
The Great Pyramid wants to drown us all! Drown us all in the false hope of tomorrow!
Then everything will be gone forever!
Gone forever!
Forever!
Ah! No!
In the deluge of voices, she forces her eyes open.
...
Can you believe it? A Shade haunted by nightmares!
She's back in the atrium, surrounded by concerned faces.
You're all here.
The model is holding together now. You did something, didn't you?
She follows Cornerstone's gaze to the model of the dome.
It looks radiant.
We heard a commotion, so we came back to check, and voilà!
The model was glowing with the most beautiful light I've ever seen. It feels like something entirely out of this world!
I've examined the Echo Stones in the building with my arcane skill. They're all exhibiting signs of significant change.
I can even see the glow flowing through them.
An uplifting discovery, to be sure.
Everyone chatters to each other, their eyes sparkling with joy.
Hmm? Yes, where is that boy? You two have been practically joined at the hip these days.
Lucjan. He-He was just like me, a ... a ...
A Shade, yes. But he never had any trouble spending time with us.
Seems like you're not the sharpest Shade in the shed, hah. I was beginning to think you'd never recognize your own kind.
She explains what she just experienced.
They all wordlessly take in the news.
Oh, Lucjan, you foolish, selfless soul.
He always said he wanted to be the first one to see the light fall through the dome again.
Such a patient, hopeful young man. How sad that he never got to see what he'd waited so long for.
Sorrow, sighs, lowered gazes—that's all anyone can bring themselves to do.
No, he is still with us.
Everecho shakes her head.
She looks out at the silent space and thinks back to the sea of light.
I can still feel him here. He's in the light now.
You're saying he turned into the light? Sounds a bit too much like a fairy tale to me.
...
She lowers her gaze and opens her hand.
The light flowing within dissipates and fades, leaving only a dim, semi-translucent silhouette.
He returned to the sea of light, the Sanctuary of Memories.
17. Modulor
108 lines25. June 1996.
Partly Cloudy.
Today marks the 23rd day since the project was officially halted.
We lost Lucjan, the tender young man that loved watching television.
At the same time, the model and some other Echo Stones have reawakened. How exactly, we don't fully understand. There is still a lot we have to learn.
But irrespective of that, we're going to keep moving forward.
One horizontal, the other vertical, intersect at the center, and ...
Bkornblume tapes the box to form a neat criss-cross.
Done! Perfectly packaged!
Impressive. You've done any factory work before?
Just a trick I picked up from my last job. It'll keep the model's shape stable during transport.
Not far off stand Cornerstone and Grundriss.
They watch the box with the intensity of parents sending their child off for their first day of kindergarten.
You sure about this?
From what Everecho said, we can infer that she shares the same origin as the Echo Stones and Shades in this place.
Which means the energy the stones need to reawaken comes from the Shades themselves. I should've realized it sooner.
So that's why Lucjan—
The air becomes heavier.
The wound is still too fresh to say his name freely.
Maybe it sounds like a fairy tale, but it's the best explanation we have.
Fortunately, most of the Echo Stones have already reawakened. We shouldn't need any more Shades to ... do what he did.
Though I fear the repaired dome may not be able to shelter a large number of people, it's still a start.
From there, we can look for other ways to expand and improve it—widen its protection to even more people.
First things first, someone needs to deliver our findings to the Foundation. Fingers crossed the higher-ups will agree to restart our project.
She raises her eyes to look ahead.
Bkornblume, seemingly sensing Cornerstone's stare, walks over.
Is that everything? If so, I'll take the model and head straight to the airport.
Cornerstone raises her cup of coffee in a toast.
Godspeed, Ms. Bkornblume!
I'll do my best to persuade Madam Constantine. Between our completed model and the video we prepared, I'm confident in our prospects.
Once she's placed the box in the trunk, she smiles and waves to the team.
Don't worry, ladies. I should be back in contact within the week!
...
This is goodbye, Everecho.
Honza is not needed anymore. Now his heart is broken, just like his face.
Honza? No, I-I didn't mean to.
Everecho, do you want to watch TV together?
I feel so cold, trapped in the stone.
Lucjan!
There's no TV here. No Old Oak. Only cold.
Help me, Everecho.
La la la-la-la, la-la-la la la. Stone is tomorrow; tomorrow is stone.
I kicked tomorrow yesterday, upsy-down and oopsy-ways. And when I came upon it today, dead-■■ing on the ground it stayed!
Dead still it stays! Still stays it dead!
Ha■■hahaha!
—!
She wakes from the nightmare with a jolt.
The room is empty. The only noise is the news playing on the TV.
A new round of economic policy adjustments has just been announced,
proving that marketization has become an unstoppable force. And while concerns over unemployment and social welfare continue to rise,
we won't hesitate to keep forging ahead on the right path.
The "right path" ...
She looks at her trembling hand.
It's pale and transparent. It's as though she left a part of her body in the sea of light.
Honza is still on her hand.
...
He snuggles up against her, but he doesn't say a word.
He hasn't been able to speak since the injury.
Is this truly what you want, Honza?
The door is pulled open.
There you are.
Olga's made her signature bigos again. I intend to enjoy it with a nice, crisp beer. Care to join us?
...
She stares unflinching at the TV, eyes practically piercing through the screen into the empty space beyond.
The local food and hospitality sectors are facing both unprecedented opportunities and challenges.
As new international fast food chains continue to open their doors in the city, they are quickly becoming a hit with young consumers.
Everecho?
Cornerstone has no choice but to hazard a guess at the thoughts behind that vacant stare.
What's up, not a fan of hamburgers?
Huh?
Everecho's gaze finally flickers away. But just as soon as it does, it returns to the screen.
On it, a clown wearing red and yellow is performing for a cheering crowd.
No, there is something else. I feel so worn down lately. My memories seem to be slipping away from me.
1999—the world before the rain—do you remember what it was like?
...
It's a number she hasn't heard brought up in some time.
It was once a symbol of hope. Now, it's a wound that has yet to close.
1999 ... Let me think.
Modernism was still the dominant force in architecture. More and more of those great big boxes of glass and aluminum alloys rose up in every city.
As for everything else, there was the internet, 3D video games, MP3 players ...
Oh, and even more fast food chains, just like in the news.
But it's scary, don't you think?
She fiddles with the hem of Honza's smock, and her voice falters.
I feel as though we've started to forget the future.
We all just go on as if nothing is wrong, even though we're now living in a world where time flows backward.
We lived through that time, but it doesn't feel real anymore. It has been left to gather dust in a corner, like old hamburgers.
One day we might even forget Lucjan.
Cornerstone sits beside her and aids in the tidying of Honza.
We won't, Everecho. We can't forget the past, nor the future.
Because they still exist, even if just in their ideal form. Like this building, even if we use new materials and new techniques to rebuild, its heart—the Echo Stones—remains.
No matter what changes come, big or small, the past will continue to have been and will always be with us. And that means Lucjan will always be a part of this place.
Now, lift that chin up. I know he wouldn't want to see you looking so sad.
...
Everecho doesn't say anything further.
She reaches out an arm and holds it under the sun pouring through the skylight.
Gold specks of dust—messengers of days gone, each carrying untold secrets and unspoken words—float through the glow.
Let me be an echo in the stones. That way ...
Even if I disappear, I can still ...
I can still be with you every day and every night.
With the words spoken, the weight in her chest disappears.
Lucjan ... He is in the light.
In the leaves of the trees, in every warm cup of coffee.
And right here, too.
She points first to her own heart, then to Cornerstone's.
Yes, forever.
Everecho's lips curve upward at the confirmation.
18. To Claim Tomorrow
112 linesA knock at the door pulls Constantine from her latest pile of work.
Come in. Ah, Ms. Kenna, it's been a while.
Is this about the progress of the New Office Construction Project? I thought I instructed that the engineering department was to report to Commissioner Irinei now.
Kenna places a stack of reports on the desk, looking grave.
Not quite, ma'am. I'm actually here about the LSCC's preliminary survey report on the origin site of the Temporal Anomaly.
Despite the site itself being affected by the anomaly, Laplace's researchers detected residual energy at its "eye"—the point identified by Admiral Igor.
Following that, they set up Kirlian cameras at various points around the world and captured some unusual images.
Analysis suggests that currently unidentifiable substances were present in the observed environments, substances they think are likely linked to the Temporal Anomaly itself.
Whether they are the cause or a consequence of it remains to be confirmed, but one conclusion is already clear ...
She steadies herself with a breath before continuing.
Everything suggests the Temporal Anomaly may happen again.
The exact timing cannot yet be determined. The LSCC will continue monitoring and provide real-time updates.
I see.
Ms. Simone is presently reviewing the documents ahead of the upcoming meeting.
As a project leader on the defense against the Temporal Anomaly, I was given privileged access to this development ahead of any formal announcement. But I thought you should know too.
Constantine taps her fingers on her desk as she processes the information.
How thoughtful of you, Ms. Kenna. Of course, you already know that I would be apprised of important matters like this long before they reach anyone else's ears.
There's something else you wish to discuss with me, I presume?
Sharp as ever, ma'am.
She smiles and opens the door once more to wave into the hallway.
From it, a cautious guest enters, bringing with her the scent of cornflowers.
Allow me to introduce Ms. Bkornblume, our field investigator sent to examine the Point Irreversible in Nowa Miedź.
Good afternoon, Madam Constantine.
Though Bkornblume takes the time to greet her with a slight bow, her tone hints at urgency.
It's been 15 hours since I delivered the dome model from Nowa Miedź.
May I ask if you've had a chance to review it? I also have a supplementary report regarding—
Constantine leans back in her chair, resting her chin on the back of her joined hands.
I have. You've successfully reawakened the Echo Stones, a considerable achievement. But I'm afraid that alone won't be enough to overturn the Committee's decision at this stage.
But ma'am, the team put in tremendous effort and sacrifice to get this far, and now it's finally working.
Having never visited this intimidating office before, Bkornblume can't help but hold back a little.
Could you perhaps consider revisiting this project with the Committee and—
I'm sorry, but we've already determined that the project is neither safe nor stable. It's simply nonessential when compared to the immediate, unpredictable threats posed by Manus Vindictae.
...
A pat meets her shoulder, and a voice relieves the pressure.
In my opinion, it is precisely because it is "nonessential" that the project carries significant weight.
Oh? Do elaborate.
Funding, manpower, equipment ... We're currently funneling all of our available resources into these "essential" countermeasures.
She weighs her words for a moment, then continues.
But, with all due respect, ma'am, our long-term success can't rely solely on what is deemed "essential."
You're accusing the Foundation of being too conservative.
I wouldn't call it an accusation, just a concern.
The Foundation decided to make survival our top priority, but survival isn't a goal; it's a prerequisite.
...
Kenna takes a tape from Bkornblume's hands.
I haven't come here intending to challenge the Committee's decision, Madam Constantine. I only want to bypass the usual formalities and speak with you directly.
Thank you for your time.
She places the tape and a thick stack of files on the corner of Constantine's desk, then leaves with Bkornblume in tow.
...
"The project carries significant weight precisely because it's nonessential"? Hmph, pure sophistry.
Constantine's eyes rest on the tape for a moment, then she stands and picks it up.
She feeds it into the projector.
The machine hums to life, casting a blurry image on the wall.
It's Cornerstone.
She's standing in front of the camera, the wind blowing her hair about.
Truth be told, I must have planned a hundred versions of this speech before I started recording.
I had mountains of documents, photos, and sketches to showcase.
But then I thought to myself: why not showcase the people here instead?
She takes a few steps back to give a better view of the construction site.
The busy workers don't even notice the camera rolling.
There's a saying that goes something like: "No prophet is accepted in his own homeland." I started to think about what that really meant after watching the residents working for us here.
They surpassed all my expectations. From the very first day, they knew they'd been given a near-impossible task.
Yet they responded with action, and they saw it through.
Together, we overcame one hurdle after another: refining the sketches, building the model, tearing down walls ...
Which is why I am enormously proud to share this extraordinary sight with you.
Please, take a moment to listen to the sounds here—the clanging of hammers, the whistling of the wind through the atrium, the dust flickering in the light ...
It's not tidy, not quiet; it's loud and rough, and yet there is a synergy—a harmony—in this place.
It's like the stones of Machu Picchu. Their imperfections are their strength, and layer by layer we've formed the sturdiest of foundations for our work here.
She breathes in and smiles.
In my humble opinion, this project is not some tentative whim. No, it is a sober reckoning.
Are we still willing to act in the face of uncertainty, or will we passively wait to be pushed into compromise?
More Echo Stones have reawakened, which means this path is not a dead end. No, the true dead end is when we decide to stop moving forward.
Hardening our shells is not necessarily the more rational choice. It merely defers the risk, pushing it to a horizon we have chosen to ignore.
If the Foundation does nothing but build more and more walls around our little islands of security, then it won't matter if the rain returns or the world disappears around us. Because they won't need to break our walls down if we smother ourselves inside them.
So, in a sense, this project is not just about the reconstruction of one building. It's about whether we still choose to be an organization willing to stake a claim on the future.
The projector's wheel keeps spinning, and the image on the wall flickers.
But Cornerstone's message is clear as can be. It has cut through the construction site's noise and dust and reverberated through Constantine's office.
...
She turns her attention to the stack of files. Calculations, photos, messy sketches ... and on top of them all, a worn notebook.
She flips through its pages. Each one is a detailed record of the day's events, stretching from the project's launch to the present.
They start with complaints.
18. April 1996.
Cloudy.
Day three in Nowa Miedź.
The river, the roads, the fog ... Maybe it's only a reflection of my mood, but this whole place seems grim.
Could I have a word with you, Bkornblume?
Certainly.
She bids farewell to Kenna and follows the officer to a secluded corner.
Why is it that I've heard that you went straight to Laplace upon your return, then ran around headquarters requesting all kinds of meetings with Committee members, including Madam Constantine?
Didn't I tell you to remain neutral throughout this mission? You were supposed to observe, not get involved.
Ma'am, what is the purpose of my maintaining neutrality?
To prevent division within the Foundation.
Don't tell me you haven't noticed it. The cracks are already there, still faint for now.
But if we allow them to deepen, it could spell disaster. We can't afford disunity, not now, especially not at a time like this.
Bkornblume only lowers her head.
Yet there's a clear persistence in her silence. They've come too far to back down now, at this most critical of junctures.
Forgive me, ma'am, but I would say my outreach was within those mission parameters. Yes, only a few young Committee members currently support the project, but still ...
This could be a call to unity, not division.
A fleeting call.
A fragile and potentially false hope.
It's simply naive to expect it to last.
The smile in Bkornblume's eyes disappears as they narrow.
But even if it doesn't last long, that doesn't mean it isn't worth fighting for.
And if real divisions do arise in the future, we'll be able to remember the moments where we stood side by side for the same goal.
For me, that's enough.
Excuse me, Ms. Bkornblume.
A third voice interrupts them.
Thank goodness you haven't gone too far.
Please return to Madam Constantine's office. She wishes to discuss the Nowa Miedź project with you.
...!
Her eyes go wide.
Perhaps their efforts haven't been for naught after all.
I'll be there right away.
19. Genius Loci
131 lines1. July 1996.
Partly Cloudy.
With thanks to Madam Constantine, we've finally received approval to resume our project.
Unfortunately, if Laplace's latest report is accurate, the Temporal Anomaly could strike again at any moment, meaning that we need to work as if we have no moments to spare.
Ugh, if only we had more manpower. We could really use about a thousand more hands!
Like it or not, those are the facts.
Your budget was already stretched thin. Whatever little you've received only came through thanks to Ms. Kenna's pleading with multiple departments.
Tch, how much could a few posters possibly cost?!
Don't tell me we're so broke we can't even afford to print a few papers!
The voice on the other end is cold as ice.
I'm afraid so, Ms. Cornerstone. Your request for more workers, which, I should add, wasn't fully compliant, may have miraculously been approved. But that doesn't mean money will just keep rolling in.
More hands or more handbills—you can have one, not both.
...
As Cornerstone hangs up, her usually fiercely upright back has taken on a hunch.
We could take to the streets with megaphones? That would save on posters, at least.
Cornerstone has already taped several sheets of paper to her drawing board before Jasio can finish speaking.
Uh, what are you doing?
Grundriss and the others already have the recruitment stalls ready. The only thing missing is the posters.
Now we just have to show that same strength we showed in our video!
She takes stock of her art supplies, lining them up in a tidy row.
Wait, surely you're not going to ...
Yes. I'll draw the posters myself.
He catches her steely gaze and accepts that there's no changing her mind.
Someone give me a pour-over, would you?
The next day
Took you long enough.
The fog lifts just enough to unveil the stall. Grundriss stands in front of it, tapping her foot.
You were supposed to have those posters ready by nine. And look at the time now. It's—ah, 8:59.
A minute early. Not bad.
Hey, if it weren't for Ms. Cornerstone, I'd have been here even earlier, maybe even had a tipple while I waited.
Apparently, we don't even have the cash to print a few posters, so she decided to draw them herself.
She what? How is that even possible? She only had a few hours.
Wow!
The posters are overflowing with fine details. Even the borders are intricate, like carved frames holding stained glass.
More impressive still, each poster is one of a kind.
These aren't even posters anymore. They're ...
Art, yeah. True art. Not that I understand any of it.
...
So she stayed up all night just to paint these decorative borders?
Well, according to her, they're "essential elements for visual impact."
She can't help but roll her eyes.
I shouldn't have asked.
Anyway, they'll definitely grab some attention.
Two hours later …
In two hours, the only visitor to the stall has been the wind kicking up the tablecloth.
Mmm.
Should we try our luck in the city center instead? If this place even has a proper city center, that is.
City center or not, true art or not, no poster is more appealing than a train ticket out of here.
With the factories shutting down one after another, there isn't much point in sticking around.
They'll be going to Warsaw or Gdańsk, maybe even Germany, if they have the chance.
The ones who stay here are either too young, too old, or simply too afraid to leave.
I think I get it.
So, which one are you?
Jasio looks up and puffs a smoke ring toward the sky.
It makes a weak attempt at rotating before dissipating into the gray above.
Me? Probably the third kind. I don't know where else to go, so I stay put.
*sigh*
The two fall into silence.
The squealing of tram wheels on iron rails sounds in the distance. It echoes off the buildings—one echo, then two, then ...
Looks like we won't be seeing any results today.
With a huff, she gets to her feet and gathers the posters into a neat stack.
Let's just pack it in and go.
Suddenly, a burst of light and shadow nearly blinds them.
Multi-colored lights flicker, diffused in the thick fog.
Afternoon, everyone!
Cornerstone, a huge neon sign hoisted on her shoulder, paces over.
...?
Look what I found collecting dust in the back of the Old Oak! Returned to its former glory, thanks to yours truly.
Didn't you just pull an all-nighter drawing those fancy posters? You should be in bed already!
Cornerstone squints.
The colorful lights on her shoulder continue to flicker, illuminating her cheek red and blue.
Architects don't need sleep. Haven't I already told you that?
...
Wait, there are no cables attached. How is it glowing?
Hello, Ms. Grundriss.
Everecho's head pokes out from behind Cornerstone, and she gives a small wave.
The neon lights shining in her golden eyes make them look like fireflies.
...
Where's Honza? Aren't you two always together?
He's ...
The fireflies vanish, chased away by lowered lids and eyelashes.
He's caught a cold, so he is staying away from people for now.
Hm? I didn't know puppets could catch colds.
Given a "cold" usually refers to an infection in a living organism with some form of respiratory system, immune response, fluid circulation, and—
Read between the lines, silly. Now quit prying into the girl's private matters and come give me a hand.
*thud*
Cornerstone stands the sign upright, turning the stall and its surroundings into what looks like a makeshift disco.
Holding it steady with one hand, she raises a megaphone in the other.
Alright, everyone, let the recruiting begin!
With the neon sign and beautiful posters together, the stall finally manages to attract some attention.
First there are a couple of visitors, then a dozen.
This a long-term gig?
Do I need a license or anything?
Is the pay daily or monthly?
More and more passersby are drawn to the stall.
The neon lights reshape their once indifferent faces, turning eyes accustomed to disappointment into ones ready for action.
Ahem, please form a line and wait for your turn! One at a time!
Excuse me, miss! We're from the TV program Public Voices. We'd like to request an on-camera interview!
A microphone is thrust through the crowd, and a camera's red light glows.
The lens captures neon lights illuminating would-be workers' faces and how an ordinary evening has been turned into one worth recording.
In an office on another end of the continent, the atmosphere is unusually lively.
What's going on? Why are you all crammed into this tiny room?
Our girl's on TV. That's why!
TV?
Perhaps you've heard trucks passing along the old railway at night or seen lights flickering back on at construction sites. Yes, after years of decline, it appears Nowa Miedź is finally springing back to life!
But, this time, it's not a new highway or a new mall. What we've managed to gather so far is that it's a top-secret, top-priority project. A true Nowa Miedź mystery.
Lucky for us, we have an anonymous representative for this mysterious project right here with us! Any hints as to what you're working on?
I'm sorry, but our confidentiality agreement won't allow us to disclose any specifics. All I can say is ...
This unprecedented project may forever change how we think about energy usage and public safety!
If you have a passionate, earnest heart and want to help build a future worth fighting for, please join our construction team!
Pick up your phone now and dial 41123.
Pfft! "Unprecedented project"? "A future worth fighting for"? Is she serious?
She's not wrong, in a way. If they actually pull this off, there's no doubt it will be an unprecedented achievement.
...
Kenna doesn't look away from the screen, but her shock soon gives way to a laugh.
Hahah. She did complain about how hard it was to find workers last time we spoke.
Looks like she found a solution to her problem. A bit of publicity might just work wonders.
The atmosphere relaxes. It seems the neon lights have seeped their way through the screen and into the office, too.
A crowd gathers around the little TV, making comments as they watch.
Before long, the excitement attracts others from the hallway.
Oh! What fun have I missed this time?
It's the Nowa Miedź project. They're actively recruiting from the civilian population.
Is that so? I suppose that is a clever workaround for their tight budget.
But recruiting from the locals? That's quite the bold move, one that I'm sure doesn't strictly comply with our confidentiality protocols.
...
That's just the start of our worries. Training new workers under these circumstances carries dozens of other potential risks.
I can't even begin to imagine how they'll understand and follow our unique construction needs and safety protocols.
Constantine waves a hand at the comment. Her gaze is entirely focused on the smiling faces through the glass.
All valid concerns, Mr. Irinei. But rest assured, the investment is limited. This won't affect our broader operations.
I look at this project as a kind of seed.
You'll never know what it might grow into until you've put it in the ground. Isn't that so?
20. New Beginnings and the End
147 lines15. July 1996. The construction team has been formed and trained. Key materials, including molds, rebars, and concrete, have been procured. Construction is to be restarted.
Last and most important rule: don't be late.
Work starts at 8 AM sharp. Even one minute later, and you'll be penalized.
No exceptions. No excuses.
20. September 1996. Dome frame construction and mold installation have been completed. Concrete pouring is about to begin.
Hmm? What's that falling from up there?
Move! You down there, move it! Quick!
Clear everyone from under the dome! We need to check the joints!
22. September 1996. Concrete pouring is being carried out in stages. Due to the Echo Stones' unique makeup, we're using self-leveling concrete to ensure a smooth and even surface.
See that? How the concrete follows the texture of the Echo Stones? How it fills every crevice?
They're becoming one, slowly, steadily. A true unification.
Hold it steady! Let the concrete set at its own pace.
1. November 1996. With the concrete set, today, we remove the molds.
Strip it on one! Three, two, one!
Go!
We did it! Haha! Oh, I could just kiss you all!
Dawn comes, the streetlights still illuminating the rising fog.
As Everecho sits on the hill, her half-translucent body almost merges with the cityscape beyond.
I love walking around the city at dawn.
It is so quiet I can hear the streets, the houses, and even the paving stones beneath my feet.
Not out loud, but their silence whispers something to me.
It's a language that belongs to the quiet, one that imbues the buildings and streets with soul, weight, and most important of all, presence.
Or perhaps their presence is a language in and of itself.
Just like Honza. Always with me, no matter what.
Maybe that's why I do not want to leave this city. It speaks to me in its own voice.
...
Honza lies on Everecho's hand, asleep, perhaps.
They say the dome will be completed today.
We wouldn't want to miss this new beginning, hm? Let's go.
Ms. Bkornblume, about the equipment you brought back from Laplace, eh, have you finished the installation?
I have, yes.
She points to a corner.
It's right over there. I've already calibrated the position. It should be free from any external electromagnetic interference.
Also, our anonymous researcher from Lorentz assured me that the equipment will continuously detect any abnormal energy fluctuations in the environment, no matter how subtle.
So, if anything does go wrong, we'll receive an alert right away.
Good. That's a weight off of my mind.
Let's just make sure everything goes off without a hitch at the ceremony.
The atrium is quieter than one might expect.
A group of workers stand around wooden tables that have been pushed up against one another, clinking beers and then downing them in big gulps.
Some lean against the pillars and smoke. Some chat about their future plans in low, relaxed voices.
Hmm, I'd expected a much bigger crowd.
That's just the way of things. Most of the work here is done, so people need to move on somewhere else to earn their bread—factories, railways, wherever they can find jobs.
Still, at least they left behind something meaningful, something worth remembering.
He nods toward the woman behind her.
Olga emerges from a corner. She's carrying a wreath adorned with colorful ribbons.
Here, everyone pitched in to make this together. Just something made from gathered pine branches from the river and old ribbons.
It's called a "wiecha," isn't it?
Yes. It's tradition to hang it at the top of a new building to celebrate its completion.
It might not be perfect, but we made sure it was clean and tidy.
It's perfectly imperfect and beautiful. Thank you.
The building will remember.
Cornerstone notes the way Olga's voice lowers—a statement for those no longer here to hear it.
It will remember every soul who labored to build it.
Cornerstone holds the last little Echo Stone up.
This Echo Stone hasn't awakened yet.
It may not offer true shelter like the others, but it's more than enough to serve as the finishing touch to our roof.
Let me place it.
Everecho approaches the stone and gently places the wreath around it.
Then, she steps back and watches as it rises along with the Echo Stone.
It is so lovely. I can hardly bear to see it go.
The ribbons flutter in the autumn wind, saluting everyone near and far.
Some workers smile and snap photographs, and others raise their drinks in celebration.
I dreamed about this ceremony last night. Everyone was sipping tea under the dome. Only I was drinking mead. Julian was telling stories from the war, and I think Olga was knitting a sweater.
Gloom falls over the crowd. The names of those lost haven't been uttered since the disaster. They'd nearly faded from memory.
Don't sound so sad, dear boy. Just because the dome is finished doesn't mean we will never visit again.
See that spot over there? We'll put a big table there, so the whole neighborhood can sip on cold beer together in summer and soak up the warm sunlight in winter.
If we're all still around by then, that is.
I'll put some pots of geraniums under the eaves so when it rains, everyone will hear the drops tapping on their petals.
Rain or storm, we'll be safe here, where we truly belong, where there's no need to run or hide.
The Echo Stone is nearing the highest point.
Darkness descends.
Huh? What's happening?
Everyone, stay calm! Move away from the dome. We'll handle this.
Grundriss, any alerts from the equipment?
A voice answers, but it's not the one she wants to hear.
The horn is sounded. The moment is nigh.
*beep*
Not good, I'm reading skyrocketing fluctuations!
A cacophony of whispers, ever unwilling to fade, awakens within the stones.
Whispers that, in ancient days, bore witness to deities' births and bathed in the earliest beams of light.
And it was here that they waited, where they yearned to be remembered and passed down like a treasured song.
Honza?!
The whispers surge from the stones, storming the atrium and converging on a single point: the puppet resting in the corner.
He twists his head, and a monotone voice, the likes of which she's never heard from him, speaks.
In its ruins ...
We find no peace.
The birds are gone. Winter has come.
*crack*
Cracks make their way across Honza's face.
The voices are gone. The names have faded.
A colossal beast comes crashing to the ground.
...
Come back, Everecho! It's too dangerous!
Honza!
She ignores Grundriss's plea and rushes to grab her friend.
*rumble*
The beast stops right before it crushes her.
And in a grand display, the curtain falls on a bygone era.
On its body lingers a threat capable of devouring all, conquering all, and crushing all.
It stretches on forever, like the cosmos itself.
Before it, the planets are without boundaries, and the world without an end.
Yet within all the echoes and rubble making up its massive form, she senses something familiar.
...
You can talk to me.
The beast lowers its head to meet her eyes.
I have seen you in the golden ocean.
Gentle, vast, and silent.
But if you leave, where am I supposed to go?
...
Everecho ...
All at once, the myriad of sounds trembles within the ruin.
Every exposed rebar and shard of cement calls out her name.
Our Everecho, precious as a daisy blooming under spring sunlight.
Everecho ...
All that remains are echoes.
Again and again, they say her name.
And the unbound wind carries them away.
It whisks her name through construction site dust, through withered leaves and quiet buildings and streets.
Before all falls silent, it carries her name far, far away.
*beep*
This ... Is it ...?
A fax machine starts running. Then a second. Then a third, and a fourth.
They spit out photo after photo from across the globe, drowning Laplace's Temporal Anomaly Observation Room in paper.
Yes, just like last time.
Lucy picks up a photo. It's the white cliffs of Dover, bathed in an eerie glow.
Simone, notify all personnel immediately.
Good news! The dome repair was a success! We can now advance to the next.
Stage ...
This ought to be a celebratory moment.
Yet the faces in the conference room are solemn.
We've just received news.
There's been an outbreak, a systemic vascular disease that seems to have appeared all at once worldwide. Laplace has declared a high-level state of emergency.
—!
An unexplained disease. High-level state of emergency. Exactly what happened before.
Their silence serves as her answer.
Every face turns to the woman seated at the end of the conference table, who has yet to say a word.
...
Issue our highest-level alert immediately. Recall all field investigators at once.
We must preserve every possible resource.
21. Silence and Light
125 linesBreaking News: As of 4 AM this morning, Karolinska University Hospital has admitted a total of 37 patients showing symptoms of this inexplicable "wired vein" disease.
Medical facilities across the municipality are reporting overwhelmed emergency departments and surgical units.
As you can see, the line outside the hospital now stretches across three city blocks.
We advise the public against gathering at hospitals unless absolutely necessary!
Time is running out.
Grundriss hangs up and turns to her companion. All color has drained from her face.
We have only two hours to get to the Foundation's last evacuation flight, and we're over a hundred miles from where it's flying out.
We have a chance if we leave now and speed the whole way there, and hope the traffic police don't stop us. How are your driving skills?
Lightning tears through the sky.
This is just what it looked like then.
I'm worried about you.
Grundriss glances at the residents.
They're scattered beneath the dome, either standing alone and silent or whispering to one another, insignificant beneath the coming rain.
Oh, hush now, dear. You've already done more than enough for us.
It's about time we took the reins of our own fate.
Then, this is goodbye. I'll miss you.
She looks to the ground, and the flickering colors in her eyes fade, leaving only pale, desolate white.
Actually, I already miss you now.
...
You two go ahead. I'm staying here.
Cornerstone leans on a pillar in the corner, sipping a hot cup of coffee.
Dozens of eyes turn to stare in disbelief.
What?!
Hmph, I knew you'd do something crazy like this.
Cornerstone puts her cup down and turns to face the group she's come to see as her rag-tag family.
I made up my mind the moment this project was proposed.
I'll see this through to the very end, not as an observer but as part of the experiment.
When the Temporal Anomaly comes, I'll stand under the dome with everyone here and face whatever comes together.
It's the only way I could consider this project finished.
...
Then we're on the same page. Saves me the trouble of convincing you.
This time, they aren't using models, probabilities, or "theoretical possibilities" to prove anything.
Now, they're using their own time and flesh to put their judgments to the test.
What about you, Ms. Bkornblume?
I ...
Bkornblume closes her eyes and listens for the pitter-patter of raindrops. Not yet, but soon.
The sight of this building wrapped in a curtain of rain must be breathtaking.
I'd love to see it for myself, even if only for a second.
It's set, then. I hereby declare—
With a grin on her face and a cup of coffee in her hand, she offers a toast.
That you are now co-conspirators in this mad experiment!
Clouds gather in the sky. The people gather below.
And the scents of drenched coats and concrete mix beneath the dome.
Wait, why are so many people coming in from outside? We've already exceeded the projected limit.
Th-That's my sister. We won't take up any more space, I promise.
Another unfamiliar face squeezes in through the entrance. She's holding a baby swaddled in an old blanket.
This isn't something we can bend. There's no guarantee the dome can shelter this many people.
We're sorry, miss, but we couldn't just leave them out there.
Many pairs of guilty eyes avoid hers.
This isn't good. The awakened Echo Stones barely cover half the dome's surface.
We don't have any more room, but what can we do? Drive them off? Even if they don't know what's happening, it's still cruel.
...
Oh no, a storm's coming!
It's just like last time. That means the rain is coming again.
The people are completely overcome with panic.
Scuffled footsteps and curses fill the atrium as people from outside are pushed into the already crowded outer perimeter.
They squeeze their limbs tight to their bodies, trying to take up as little space as possible.
Ah, my foot! Who did that?!
S-Sorry, we shouldn't have come in. We'll leave as soon as we can.
...
Memories resurface as Everecho watches the chaos from a corner.
She's seen scenes like these play out time and time again, in different cities, towns, and villages.
Fragile people, real people, doing all they can to survive.
Stay. Please, survive.
Wait.
I could use my arcane skill to build a temporary mezzanine—shelter more people under the dome.
Know your limits, Cornerstone. Your hand is still injured.
Besides, there's no way we can anchor it properly in such a short time.
Sorry to interrupt, but has anyone seen Everecho? I can't find her anywhere.
What?
The crowd quiets as eyes scour the atrium, but no one spots Everecho.
It dawns on them that they haven't seen her in some time.
She's up there! In the sky!
Up where?
A resident points to the dome.
There, on the other side of the glass panes, flutters the hem of a familiar dress.
Look, right above the dome!
I have lived a long, fulfilling life on this land.
As for the future, I have friends to walk toward it in my place.
Remember one another. Remember this land.
And I, among the fading whispers, will always watch over you.
I was never meant to be in the future, yet.
It's an era between ending and beginning.
An era yet to be defined.
An era of nothingness.
I ask that you have faith in tomorrow.
It all begins in the past, begins with the hopes you carry.
♫ The floating song murmurs sure ♫
♫ The riverbank whispers low to me ♫
Goodbye, my dear friends.
Her song ends, yet the stones of the dome carry it on. And in their hum come beams of gold, warm and radiant.
Then, the golden light fades. And the rain falls.
The humming fades into the raindrops, and the world plunges into nothingness.
A long darkness.
...
A longer silence.
No one dares even breathe.
...
Then, they see it, a faint beam of light.
It glows brighter and brighter until it's utterly blinding.
Until it fills every space and crevice.
Whoa, look at that!
An intact dome.
A simple gray triangle, silently watching over them all.
And through it, a golden strand of light flows down to the earth and its people.
It embraces the dust floating in the air, filling the entire space and sealing it off from the downpour.
So beautiful. It's a miracle.
One by one, it caresses and kisses the residents' faces.
Until at last it gently flows to Cornerstone's feet.
...
Nothing remains but silence.
Silence.
Long-buried memories unearth themselves.
April daisies, swings, sketches of the Mediterranean, the wrinkled faces of her elders ...
It's as if it all existed solely for this moment, solely to point her to this final, singular, and everlasting light.
...
She lets her eyes fall shut and lets the quiet submerge her, just as she had as a child.
She opens her eyes and smiles.
No wonder you always felt like an old friend.
It's as if we've known each other for a long, long time.
22. Spring of Nowa Miedź
135 linesWhat you're looking at is the design sketch for our Nowa Miedź office.
Our first project after the first Temporal Anomaly, oh, apologies, after the first "Storm," as we now call it.
It'll take some time to get used to this new term.
Ahem. Our first project after the first "Storm" to be successfully completed.
From the very start of the design process, we envisioned this building as a scalable structure.
Its purpose is not only to provide shelter but also to allow for future multipurpose expansion.
It's important to note that the building's original structure and the unique properties of the Echo Stones are site-specific. We won't be able to simply replicate them elsewhere.
However, the successful establishment of this facility has undoubtedly given us the confidence to build further locations at other Points Irreversible and help fight against the "Storm" on a broader scale.
And that's why we need talented people like you, experts in architectural design, engineering, and urban planning.
Each of you will be an indispensable part not of some isolated, standalone project, but of a continuously evolving system.
Umm, what's that in the corner of the sketch? A flower?
The field investigator, having graduated from a top architecture school, finds himself unable to overlook any detail on the blueprint.
His question draws more eyes to the little drawing in the corner.
Oh, that. You know, daisies bloom around the Nowa Miedź office in April. That little flower was drawn by a special friend of ours there.
...
We miss her dearly.
Greetings, Ms. Cornerstone.
Oh, Ms. Simone and Madam Lucy. It's been a while.
Grundriss mentioned you'd be here for the meeting on the "Storm" emergency response system.
Yes. Thanks to your team's efforts, the Foundation has begun constructing new emergency facilities at compatible sites.
However, there are still many details to finalize regarding the duties and boundaries of the departments involved.
It is good to see you, Ms. Cornerstone. I believe this is our first meeting since the Nowa Miedź project began.
You're right. How time flies! The minute my work in Nowa Miedź was done, I was shipped off to the Laplace office in Plesetsk to verify the Point Irreversible there.
One project after another, I feel like there's always something new coming down the conveyor belt. I suppose that's the inevitable fate of every architect.
Though she shrugs it off, the shadows beneath her eyes expose her exhaustion.
Nonetheless, your efforts have clearly paid off. The Nowa Miedź office is finally completed. That in itself is a remarkable achievement.
True, true, but my work is far from over. I'll be back in a year to conduct a follow-up survey.
A building's completion is only the beginning of its journey.
She scans the hallway. It's grown livelier since her last visit.
Junior researchers, architects, and fresh recruits come and go, chatting with each other all the while.
Many of their faces, focused and earnest, are new to her.
Now it seems we all have a long journey ahead.
At the other end of the hallway, two well-dressed figures cast their eyes Cornerstone's way.
But they don't approach just yet.
Aren't you going to say hello?
...
Don't look at me like that. I'm not avoiding anyone. I already spoke with Ms. Cornerstone about the Plesetsk renovation project on her very first day back at headquarters.
That's good to hear. I do hope you two continue to have a productive working relationship.
...
All Irinei can do is sigh at the prospect.
In my view, the Committee's approval to advance the Nowa Miedź project wasn't driven by confidence in its practical value, but simply by a compromise reached over cost considerations.
The vast majority of our branch members still perished in the second "Storm," an outcome hardly better than the first. That as many survived as they did was simply a stroke of luck.
And we cannot rely on good fortune forever.
The Foundation's continued operation must depend on a more comprehensive strategy—controllable, judicious—not happenstance like in Nowa Miedź.
I'd hardly call what they created there "happenstance."
Judicious and controlled strategy, in my opinion, has rarely produced any great wonders. Certainly nothing like what they've accomplished.
Nonetheless, you must consider our circumstances, Ms. Kenna.
Don't mistake me for some old fogey stuck in his ways. I simply learned early on not to build castles in the air.
I see. Well, I best be off. Best of luck with everything.
The two go their separate ways.
One walks into the shadows at the hallway's end.
The other, into the light pouring in through the windows.
A perfectly sunny and perfectly ordinary day.
One year later
3. April 1987.
Sunny.
Back in Nowa Miedź with Ms. Cornerstone for a follow-up survey on the new office.
It's been so long since our last visit. I'm sure the city has seen all kinds of changes.
After this, I suppose we can say that the Nowa Miedź project has well and truly come to an end.
She closes her notebook and sets it on the desk.
It's been tidied up. Only a few worn notebooks remain, stacked on the side.
Nowa Miedź is the first city in the East that I've visited as an adult. The friends I made here, the breathtaking lights I saw ... I'll never forget them.
A youthful smile tugs at the corner of her lips.
That's all I wanted to share with you today, Grandpa. I have a feeling that everything will only get better from here on out.
For Nowa Miedź, too.
...
She finds herself on those same cheerless streets, feeling the same wind swing those same faded shop signs.
Same as always.
...
It's almost shocking how little these streets have changed, isn't it? But I do feel something new has quietly taken root in the heart of this city.
Now, now. It may not seem like much, but life here is better than it was before.
Big changes take time to reach a small city like ours. That's all.
We're not in any hurry.
Beneath the gray skies above, Olga stands as a part of the city—an unwavering fixture of it.
Just like the flower patterns on her headscarf, faded from years of washes yet still clinging on. Both are a rare source of warmth among the cool concrete.
Hmm.
Come now, dear. Chin up, eh?
Let me take you to the office. That ought to cheer you up.
Hmm.
The cold surfaces, pillars, and floors haven't changed.
Even the patterns on the wall tiles are identical.
For a moment, I thought I was back at headquarters.
Feels like just another day at work. Not exactly cheerful.
It's a perfect example of cost control through template application.
I would've been a little more creative with the look if budget were no object. Unfortunately, it very much was.
When the office first opened, the area around it was still mostly barren.
But they hired some locals to help out with things like guarding the gate, cleaning the rooms, and moving cargo.
Jasio and the others worked here for a while too. But over time, they all went their own ways.
Then the paved roads came in, and long benches were set up around the building.
Cornerstone and Grundriss can't help but be swept up in the nostalgia of her low, slow speech and gentle eyes.
You see, I think that's how Nowa Miedź is changing little by little.
And you all changed the Foundation too, in a similarly subtle way.
The sketches, erased and redrawn over and over again beneath neon lights ...
The dust, stones, and labor-worn hands ...
All of it, the good and the bad, pulled that dark and dreary day into the light.
...
What? Something cross your mind?
Just a memory. It was right around here that I first met our winsome girl.
She makes an awkward gesture as the memory replays in her mind.
I remember how the light fell across her face, splitting it into two contrasting halves.
And then she sang a song.
Mother's Departure, right?
So you remember too. Hah. And here I thought I was the sentimental fool.
Hm. She isn't someone you easily forget.
The agreement is left unspoken.
If you don't mind, I think I'd like to check the atrium on my own.
Of course, dear. It's been kept just as you asked.
Thank you.
The atrium houses a familiar tranquility.
Any clamor has long since left this place.
Cornerstone looks up. The light pouring down from above flows between her and the concrete walls.
Stasia! Hurry up!
The building will remember.
Don't you remember them? There used to be so many daisies here.
Memories manifest in the light.
Commotion and arguments yield to quiet remembrance.
I see it now.
You never sought anything from the future; you only wanted a shelter for the past.
That is the truest will of your being: to let the echo of existence itself resound within you.
Memory after memory resurfaces. It's enough to leave Cornerstone weary.
She leans against one of its pristine gray walls and closes her eyes.
And in the tranquility, her mind finally finds respite.
...
♫ I wander every distant sod ♫
She pulls away from the wall and follows the song to its source.
And she sees it—a little puppet wearing a white smock.
He's lying in a patch of daisies, gazing up at Cornerstone.
A breeze rustles the flowers, setting light and shadow dancing.
After all, the past can never truly fade, for its song echoes into eternity.
As surely as light casts a shadow.
♫ You knew it true, it's me, my dear ♫



